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From the Archive

Heck, I am not sure, is the simple answer, I’ve not really thought about it all that much if I am being honest. Life is certainly different but not all that much different I suppose.

Prince Charles visits junior recruits at Harrogate College HRH.

I am still in a position to stick to my own values and maintain a life balance that I had struggled a lot with in the old life.

Prince Charles braves the Yorkshire weather that disrespects umbrellas.

I have been going through old photographs, I have not looked at for years and, sure they bring back memories, not all good but mostly, I would say. It’s natural to reflect though, you know, through those rose tinted glasses.

Prince Charles is introduced to recruits in the gymnasium. Nothing quite like traditional military presentations.

As a photographer, I had some amazing experiences, some (not) so great experiences, but it was always interesting to witness things and try to remain neutral, which is not always possible. Doing this does help you in your approach to a job though.

A young recruit demonstrates his learned skills in navigation using a model.

One thing I always tried to be with my photography was honest. Honest with myself, my observation and although true impartiality is challenging, if not impossible, I always wanted to tell a story without prejudice and I know I failed more often than I passed. I don’t berate myself too much because, I believe most photographers do. We are human, we are naturally affected by what we witness and that experience molds us.

Army recruits in their boxing training gear meet the future King.

To be fair, most of my stories would not change the world, or change a perception, but that does not mean that my intention was, where possible to challenge. Some days I would be better than others, some days I outright failed, but most of us do.

Prince Charles will most likely become the next King, we all hope, not for a long time but the reality is he is likely to, one day and recent events highlight this.

So, do I miss my old life? Not really. I had outgrown it some time ago, if I am being honest with myself. It was time to move on a few years ago, but that is all water under the bridge now. Change is constant and often happens at a snails pace so you don’t even recognise it. I try not to regret too much though, life is just too short. I always try to be a better version of myself today than I was yesterday. I don’t always manage that either, but I do try with honesty and I hope integrity.

Prince Charles tries to talk with young recruits going through one of the most dramatic periods of change they will ever experience.

I’m out of here!

Twenty five years! Twenty five years where work has been more than just a job. It’s been an experience, that is for damn sure. There have been laughs, tears, a lot of tears, great times, the worst of times. I will leave with memories, some I wish I didn’t many more that I’m glad of. You know, on reflection, it’s been pretty good overall. More than pretty good to be fair.

Life does not stand still for any of us. It constantly shifts, evolves more than we realise. It’s like when I go for a slow jog, I don’t feel like I’m moving very fast (we have got so used to moving quickly), but every once in a while, look back. You move quicker and farther than you realise.

I guess it all comes down to perspectives after all. You should always remember that your own is just your own. Everybody in your life has their own too. Don’t take it for granted that everyone sees yours.

So the exit ramp is coming up and I can’t see what is around the corner. Most people manage to survive the journey though so the odds are pretty good, hey?

One of the most important things I have ever learnt is not to live in fear of the future, it’s a pointless exercise. You don’t know what will happen tomorrow any more than anybody else. Opportunities come and go, people come and go. I guess all you can try to do is be a person that is positive, always trying to better than yesterday and you will have good people around you most of the time. If someone decides they can’t stay, remember that they have their own shit going on.

I write this during a break where I am preparing a big presentation, an ambitious project that I will be sad not to be able to see through to the end, but I stand resolute that it is the right way forward. Sometimes that is all you can do.

I smile now and remember that happiness is always within your grasp, it’s a choice (most of the time). Choose it for yourself…

Thanks for listening.

2019 seems like such a long time ago now. It’s history and by looking, I’m looking back. I find that I don’t do that as much as I used to. Possibly because I now prefer to look forward. What was quite nice though was to look back and see what I had experienced throughout the year. It was certainly very busy and to look back at some of the imagery brought the pace home.

We do quite a lot of portraits here, although I use the term portrait quite loosely. Many of them a little more than passport photos, we get the chance to be a little more interesting. Working in both the studio and on location a big part of the job as a photographer is dealing with and portraying people… or pigeons.

Sometimes you see a character that just draws you in. Often at the most surprising times, like the man who came dressed as a poppy on Remembrance Sunday in Banjul, Gambia.

I do love a good expression. In this image, the situation is not obvious at all, but the look on the young mans face tells a story, especially with his right hand lightly touching the bar, I can feel the tension.

Photographers get the chance to experience life outside of your normal boundaries. The annual Gurkha Dashain festival, is, by all accounts very different to the event back in Nepal, but when held here in the UK, they are vibrant colourful and great fun to experience.

It’s not all about bullets and bangs, there is often a subtlety in play when you have to try to tell a story in a visual way.

As an experienced photographer, I often take my craft for granted.  I forget that it has taken decades to get to where I am.  I don’t pretend to be the best photographer out there.  The truth is that because photography is subjective (everyone likes different styles, looks, processes), my style will not suit every client.

As a client, you have more power than you ever had in the past.  There are literally thousands of photographers out there, but that does not mean every one will be a good match for you.

Your wedding is important, it will probably be one of the most important days in your life, so it’s in your interest to make sure you get all the details right.

So How do you choose?  Do you know much about photography?  Now, first of all excuse the brazen use of our imagery on this post 😉

Well there are a few things you can do, some of them obvious, and some not so much.

Well the first thing you can do is work on recommendations, your family and friends may have been married recently.  Look at their album, their photographs, do you like them?  That’s a great start… but are they still available for your big day?  The more popular photographers will be booking almost two years in advance, so there is no time to waste…

Talk to your (possible) photographer and meet them, rapport is so important.  You will likely be stressed on the big day, you need to feel comfortable with your photographer.  This is especially important if your photographer is capturing your preparations with your closest friends, do you trust them to be respectful?  You wouldn’t want to feel like some pervert was stalking you in your smalls…

Next, make sure that the person you meet, is actually your photographer..  seems like a little thing but larger firms will have sales people visit you, and your photographer on the day will be a complete stranger.  It does happen… It happened to me… Of course I had no clue back then lol.  Oh and I hated the photographs.

Be realistic about price, if it’s cheap, then there is possibly a reason for that.  The average for a wedding photography package is about £1,500 although these days you can push for an awful lot at that price.  That said, you can get some good deals if you are happy to take a chance.

When you meet your photographer, try to look at one of their recent weddings in full.  You will be surprised how easy it can be to make a slideshow with 20 images that make them look really good.  Some photographers may even use photos that they have taken at training days with professional models and coaching on poses etc.  Don’t be fooled.  If you see a full wedding, although you may not be interested in the photos of Auntie Mable drunk on the dance floor, you will at least get an idea of the consistency of the photographer.  This is the best tip and reduces your risk of hiring someone who fails you.  Oh and it has been known for photographers to buy stock imagery to show themselves off.

Contract. contract, contract.  Make sure you get a contract.  It will help both parties.  You will have it written down what to expect.  Some photographers will make sure you get one, some will be a little more reluctant.  Always ask yourself why…

Make sure the photographer has insurance.  Sometimes the unexpected can happen.  The photographer’s car breaks down and they are 200 miles away… Insurance will help put your mind at rest a little.  Will their insurance come good?  It’s certainly worth asking a few questions…

So now you have read this, hire me… 😉

No, seriously, this is an important subject, one I have been wanting to write for some time.  I hate, literally hate to read about those couples who get duped for their wedding by a photographer who is little more than a conman.  They exist.  All you can do is minimise your chances of falling foul.

So now, you can hire me… 😉

Hooray…

Disclaimer:  No clients were harmed in the making of this post.. If you want to know more, please feel free to message us.

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You know?  I’m proud to be able to say I’ve been a working professional photographer for over 15 years.  For all of this time it has been a dream job (most of the time).

Army Headquarters in the morning fog

But there is no time to be complacent, I’ve been in an industry that has changed about as much as it is possible.  One thing is for sure, the landscape is so different, it may as well be on the moon or even farther, Mars maybe.

Burning leaves project

I learned this craft on film, and without using polaroids, you never really knew what you were getting.  There is a generation of photographers that curse this new generation of digital artists, some people don’t like to call them photographers.  Manipulation and editing is so easy these days.  I guess I’ve had my own rants from time to time.

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With time, the industry has confused me greatly, I have periods where I don’t pretend to understand, bu the fact is, photography is more creative, more experimental these days.  There have always been creative and experimental photographers of course, but never (in my humble opinion), as much as now.  There are a lot of exciting photographers out there.

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So what does this mean to me?  Well, I’ve essentially been a staff photographer for 15 years and although this has been an excellent job, that I have enjoyed beyond measure, however as this contract comes to an end, the future seems daunting.  I want to do better, I want it to be an exciting future, with promise and adventure.

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How can I do that?  Well firstly I want to break free of the fear that ‘you are only as good as your last picture’.  This is utter bullshit, and forces a mentality of restriction.  I intend to make loads of mistakes, try new genres, new styles, new subjects without fear of failure.

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I still have time… we all do…

Now, I do enjoy a good wedding.  I particularly enjoy shooting one, which is one mentality I want to keep long term.  You would be surprised, or perhaps not, just how many wedding photographers don’t enjoy covering weddings.  One reason may be the volume they have taken on, the constant pressure of turning them round with increasingly short deadlines.

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As a photographer, I am hired, not just to take a few ‘snaps’ of the day.  I am hired as a photographer, I have a particular style, my eye looks for certain things.  I am probably not the most creative and inventive photographer out there, but I am skilled and competent.  I think I am more than that, but what I think is not all that important.  Anyway that is not important now.

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So going back to the title…

Why would you do a wedding standing on your head?  Of course you don’t, literally.

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I had been approached to photograph a wedding this year, which in itself is not that unusual, this time however, there was one major problem.  The wedding was going to be just outside Christchurch.  The one in New Zealand.  Now, this is a big deal.  As a photographer in the Army, any wedding I undertake is a BIG commitment.  I am acutely aware that my first priority is for the government.  They call, and I answer, no questions.

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But, I really like to shoot weddings.  So immediately, I cleared the dates with work, put in my leave, booked the flights and waited…. with anticipation.

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Oh the anticipation.

As the date got closer, slowly, I had to wait a year, I started to consider what differences a wedding in New Zealand would have to a wedding in the United Kingdom.  Both Western cultures, but spread by a hemisphere, there would undoubtedly be differences.  Not least being the weather…

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Actually as it happened, the differences were not to great, the weather not so different, apart from getting sunburn in February that is.

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The hardest part was the adjustment to the time zone.  I think we were about 14 hours out, and they do say that it takes one day for every hour.  No I didn’t spend a fortnight in preparation…  I did allow a week though.

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I have considered in the past, perhaps in a fleeting moment, to follow the perpetual summer, working weddings in Europe during their summer and then southern hemisphere for their summer.   I love travelling but looking back, this would be tough, especially for my family.  No I need to be more realistic I think, although I know I need to be more bold.

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Back to the wedding.  Allowing a week to get as used to the climate (bit different to a February day in the UK), and it was really worth it.  The odd early morning jog seemed to help too.

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Shooting a wedding is always a challenge, they are never the same, the people are different, the locations may be similar, but the technical challenges will change also.  You can never, in my humble opinion, just go through the motions.  I think that shooting a wedding is  like a champion boxer taking the fight.  Lose respect of your opponent, and the fight will likely go horribly wrong.  Never take the wedding for granted, after all for the happy couple, it is their wedding and after the day, can never be redone.  There is no re-shoot’s.

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One thing I did really take advantage of on this one was the New Zealand beaches, they were amazing, especially first thing in the morning, with the thunder of hoofed feet and the gentle crashing of waves.  It was well worth the early start……and the jet lag.

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I realise that in the last couple of years I have not fulfilled the commitment of a BLOG properly.  Now I could make every excuse in the world, but who am I kidding.

I sometimes wonder what is the point of this blog?  Am I trying to reach anyone?  No, not really.  This is much more of a diary really, an opportunity to put some thoughts down, ideally thoughts I don’t mind others knowing about, that is.

So after a relatively poor show for some time, where do you go to try to kick it all off again?

The last twelve months have been busy with one thing and another.  There have been some really interesting trips away, a lot of mundane work, but then that is the lot of essentially being a staff photographer.

Here are some images taken pretty much in the last year, I will add a notation explaining them.

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The year has tended to start with covering the Divisional championships in France.

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An unusual trip to Cyprus and the last European divided city, here the tour piper uses the solitude of the roof to practice.

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The military do occasionally do this kind of thing from time to time.

300th Anniversary of the Personal Union

The summer saw the spectacle of the Queens birthday reception in Hannover, with all the pomp and ceremony you could imagine.

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Sport and competition is and always will be a big part of the military experience, this was from the British Forces Germany athletics finals.

British Army says farewell to German town

The final pomp in the small spa town of Bad Oeynhausen.

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Army restructuring brings with it new training opportunities and part of that is seeing exactly what the kit is able to do.

UK COMMITS TO MAJOR POLISH EXERCISE IN SUPPORT OF EASTERN EUROPEAN ALLIES

Poland has been a big part of this year, with two exercises being covered.

UK COMMITS TO MAJOR POLISH EXERCISE IN SUPPORT OF EASTERN EUROPEAN ALLIES

‘Green eyes’, or Night vision can make for an interesting shot.

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This year has been a whole lot of ‘last one’s’, here is the last British Army Polo competition in Germany before the withdrawal.

British Army Flexes its armour in Poland exercise.

A second visit to Poland saw our largest armoured deployment for an exercise for decades.

British Army Flexes its armour in Poland exercise.

The feet on the ground, every conflict needs them.

British Army Flexes its armour in Poland exercise.

A soldier moves as quickly as he can over open ground during the exercise.

British Army Flexes its armour in Poland exercise.

A British Challenger 2 can move very quickly over rough terrain, one of the fastest.

Throwing a spanner in the works

Army boxing is in good form and an amazing experience to see.

Inter-Service rivalry hits the slopes of France

The last bookend, back to skiing, this time an Army snowboarder makes some shapes against a dramatic backdrop.

This week I had been asked to put a few words together for a biography on our work Facebook page.  Actually not the easiest thing I have done if I am honest!  Harder still was the effort (and time) required to go through my back archive to find some images to include.  With ten years as a working professional, you inevitably gather a fair collection and even when you concede that half of that time was working with the more secret aspect of the military (and therefore have no imagery to show for it), I was surprised just how difficult this was.

Training the Iraqi border force

 

This was one of those situations that is surreal, I captured this shot before understanding what had happened.  At the time there had been a couple of shootings by Iraqi troops and this was taken on a training day.  This guy was keen to point his AK-47 at me for the photo and there is a magazine fitted, I never knew if he had live or blank ammunition in it.  I was lucky I guess.

I think at times it is good to look behind you, to see and consider what you have done in the past because the reality is the past is what has shaped who you are today.  I am a believer in the acceptance we are really only the sum of our experiences, they shape us, they mold our character and personality.

Mecca pilgrimage through Basrah International Airport

 

One of the things we like to try and do is get the story in one picture.  This was the Hajj pilgrimage, and the first time since the conflict that Basrah international airport had been open for the pilgrims.

As I have stated before, Buddhists believe that life is suffering, and we all endure hardships in life, some more than others granted but it is there.  The real test is how we come to deal with these tests, and in this case I mean the emotional response rather than the physical one.  How we look at a situation will inevitably affect how we deal with it, but any response will also involve a measured adjustment too.  What I mean by this can be illustrated by nature.  Two male lions fight to take control.  A fight ensues that could easily mean the death of one of them.  Both probably begin the fight with the same kind of emotional response and aggression, however pretty soon one will realise they are probably going to lose.  How do they respond?  Well they have a choice.  They can continue or flee, if they continue they could get lucky (if they are thinking rationally) and if they flee they may survive.  Is either response wrong?  Probably not but they are worlds apart.  You could even consider that the weaker one may have entered the fight without really expecting to win but understanding that to fight is expected.

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Sometimes it is simply about an aesthetic, during a military music show, this one soldier was lit by a spotlight as he shouted his commands, I just liked the shot for its controlled lighting, 

 

 

Comic relief hits the parade square

 

Life in the military has a reputation of being tough and much of the time it is, however humour is also so important.  The bi-annual ‘Red nose day” provides opportunity.

The longer you consider the situation you can start to see different motivations or responses.  These days as human beings we are not exposed to these kind of choices, but the reality remains.

Training the Iraqi border force

It’s all about the lighting and finding a way to tell a story.  This shot, taken at sunset is a simple story of water being dropped in the middle of a desert for an operation.  A tiny bit of flash was needed to bring out the boxes of water, otherwise they would just have been silhouettes.

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There are times when you are just in the right place at the right time.  This shot was taken as the sun set on New Years Eve 2007.  The Lynx was coming in to land fast and I had the time to capture this shot.

Anyway I kind of digressed there.  To have the opportunity to look at my past work was good and bad.  I remembered some of the experiences and cringed at some of the images.  Any creative process is simply that, a process.  I see images today vastly differently to what I did ten years ago.  But I do that because of the experiences I have been through.  My experiences are my own and each of us have had completely different ones.  I feel now that the past has improved me and I only hope that it continues to for many years to come because this is the future and it excites me that the best is yet to come…

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This is one of those shots that is technically dull but it is the details in observation that make it work.

Foot patrols around Basrah feel the heat.

 

This shot was taken on a routine patrol outside Basrah, looking for rocket rails.  This shot was just a part of a selection used for a bio slideshow of trooper Whittfield that can be seen here; http://vimeo.com/26632974 This shot did also end up used by the Guardian to illustrate a story they did on budgets in the MOD.  You can never control the use of your images I suppose.

Bring on that warm fuzzy feeling.

Basrah City stronghold, a center of operations.

I loved this shot for what it stood for rather than the breathtaking quality (ha ha), this was a common sentiment from the Iraqi troops, they were generally proud of their involvements.

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This shot does need some explaining.  This is a drill (not real), the injured soldier is made up to give soldiers the realistic chance of dealing with an horrific injury, one they may expect to come to deal with.  All I really remember now is the sickening smell of the fake blood, it smelled of overpowering make up.

Thank you for listening.

 

So then, why the title?  Having just read it back it seems a bit of a tangent and perhaps it is.  I was actually referring to this blog.  I have been struggling with how to follow my last entry.  What on earth do you follow an article on Belsen?  Then I looked further back.  This blog is personal, that is a fact, I am sharing my experiences and as an Army photographer I can deal with the full range of things.  The horror of Belsen one minute, to soldiers skiing the next.  They are not connected but as I experience them they are all important to me.  I want to approach each situation with professionalism.  I only hope this comes across.

We at LIMEfotographic have arranged a special open day at our studio on Eichholtstrasse, in Bunde, near Herford in Germany on Sunday 13th May 2012.

You love your pets, of course you do!  Have you ever considered getting a professional pet portrait done?  Well here is your chance, and you can be in with the chance to WIN a canvas frame print of your special pet.

We are opening our studio for a special pet day, so between 10am and 4pm on the 13th May, bring your pets to the studio behind the Naafi in Bunde (near Herford).  We will photograph your beloved pet.

 

HOW THIS WORKS.  This is a promotion day, we will photograph your pet in our studio for a maximum of 15 minutes per pet.  Once the images are processed they will be posted on our Facebook page for voting.  You can invite who ever you can to vote for your pet and quite simply by the closing date, announced when the images are posted, the image with the most likes, will win a stunning canvas print worth €250.

There is no obligation to purchase anything, but of course you may decide that you would like to book a family shoot or some simple portraits…………

Just pop by on the day, and don’t forget to bring your favorite pet with you.

The technical side of photography is not a problem for me.  I know that may sound big-headed, it’s not meant to be.  My photographic training was, let’s say, comprehensive.  A seven month full-time course that in wider circles is well-respected, certainly gives you a grounding.  I look back at some of the work from back then and cringe at it, but I also accept it for what it is and am still striving.

A personal first from ten years ago, the use of many layers, taking days to do and really pushing the computers boundaries.

Having been presented with the subject ‘shopping’, it made sense to mimic some of the visual inspiration of the time.  Not great work now but it was a step.

When I graduated from the school, I felt a little bit like when I had just passed my driving test.  I knew how to take a photograph but that was just the mechanics, I now had to develop that knowledge into a style, to give my images some character.  This I think is where the real challenge of photography is.

I really enjoy shooting weddings, they are challenging and never easy, so you need your wits about you.

So ten years on, my photography has developed into its current manifestation and I now think I am a marketable commodity.  This is where my next hurdle lays.  All my training does not prepare me for self promotion.  Some of you who have been reading my blog or follow my Facebook page may be surprised to hear that, or maybe not.  I have in recent months been looking into the different ways to market yourself and mostly it is now down to the internet.

In the studio, you need to work hard to get the shots you want, you can never just turn up to a shoot.

Sometimes it is a shame that many elements used in the shot are hidden.

Inspiration is important to any photographer, we draw our inspiration from other image makers all the time.

Being in Germany does kind of limit my available market somewhat but this gives me the opportunities to try out marketing plans to get an idea about what works or doesn’t.  Mostly though I just want to stay busy, producing new work.  I have in the past organised a very successful studio open day where I allowed visitors to come in off the street into the studio, sample a micro shoot, see the product and as a result took bookings for bigger shoots.  My next project is similar, but based on the pets theme.  This one will be slightly different as it will be a kind of competition where people who have their pet photographed will then see their image on our Facebook page.  This is where they vote (by liking) their pets image and they then invite their family, friends, anyone who knows them to also like their image.  The winner will receive a canvas print of the winning image.  Votes can also be included by the general public, so there will be a need to really push the Facebook page.

Sometimes you just have to jump in with both feet, a studio full of animals is a daunting thought.

The idea excites me, I am intrigued as to how the project will work out.  This does need loads of work to work, but it is just another step in the journey of building a client base and a reputation that is in this industry all important.

I don’t find self promotion easy, I find that at times I feel clumsy and awkward with it, I am always too critical of my own work, but I accept that in these times I have to get beyond that and just go for it.

As we wait for our next assignment, I get the chance to look through some of my old archives (I only have a small portion of them out here).  The reason I brought these out was to look at creating a private coffee table book from the Iraq tour.

Some of you will have seen this on the home page of my website http://www.LIMEfotographic.com and the reason for that is that this image is personally my favourite image taken on my Iraq tour.  It was taken on an operation with the Scots Guards north of Basrah, where we went to assist on some Civic assistance providing some infrastructure maintenance in preparation for the winter months.  These marsh people were persecuted by the Hussain government and were openly friendly towards us, they were not threatened by our presence and in fact seemed to feel comfortable around us.  This image is an illustration of this with a father and son simply walking at ease towards one of our Warrior tanks.  When you consider what hardships these people had to endure at the hands of Saddam, the fact that they could differentiate between the army of that regime and ours was outstanding.  To see the way these people lived so close to a major city like Basrah which before the war was fairly modern, was indeed a contrast.

This image probably means more to me than it will anyone else, but like many images, the personal connection is what identifies the narrative.  I don’t know if this is a great image or not and a part of me does not care, this image means something to me and really that is all that matters.

Like many of us Army photographers, we have been criticised for making pictures that are too clean, well composed, too perfect and somehow missing the shot.  I think this may be true because if you look at some of the most well known press images, the ones that have become totally iconic are usually little more than snaps, however they capture something, usually raw emotive content, that compositional quantity overlooked by many photographers.  Sometimes this can be a harsh commentary as when trained to look for composition and create images you generally get to a point where you can not take a photo without slipping into one composition guide or another.  The composing of an image just becomes automatic.

 

This is one of my personal favourite shots from my tour of Iraq in 2007-2008.  I know the colour popping is not to everyone’s taste and is not something I tend to do much of, but this moment was one of intensity and connection that I felt I had to do something to separate them from the background, from everything that was going on around them.  This situation was played out in a small village just outside of Basra and it was usual for numerous kids to come right up to you, into your personal space and beg for sweets or water, or even just grab at anything hanging off your body armour.  In this instance this boy just stopped and looked up at the young soldier.  For a moment they just looked at each other and connected in some way.

This image sat in my portfolio submission for Operational photography in the 2008 Army photographic competition and is still an image that I enjoy.