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I’ve found myself contemplating a lot of things recently. Better than I have still not come up with answers. Who am I? What am I about? Where am I going?

Still one of my favorite portraits from a shoot a couple of years ago.

Everything I know is from my past and the past is full of things I would rather not think about. Who has never made mistakes? We all have and the kicker is, we will all continue to make them in the future.

I like keeping my lighting simple…

I am learning that you can’t keep living in the past. You have to move on. After all, we only have one life and regrets are not real. Regrets hold you back and stop you from being true to yourself.

All we can do is pick ourselves up, learn as best we can and move on.

Sometimes a bit of colour can be refreshing, especially by mixing lighting.

I have found that I tend to fight ghosts from my past. These ghosts are all imagined, they don’t exist and they are my own brain holding me back. I now believe that some people are more a-tuned to this self sabotage.

Still like simplicity though…

All we can do is be honest with ourselves, leave the past behind us and grab today by trying to be a better version of ourselves than we were yesterday. Sounds easy right?

Did I say I like colour too?

No, it’s bloody difficult and it takes determination and not punishing yourself for falling over every now and again. We are a biggest critic and it can sometimes cripple us.

Getting mood in a picture is the real challenge.

All of these photos in this post are old images, some have never seen the light of day and they represent my past. My history, but they are a spring board my tomorrow. All of these shoots were learning points, lessons in the craft.

Double trouble…

Until next time peeps.

Life just does not stop. It keeps coming. There is always so much to do and sadly this blog suffers. I should do more, I have so much to show. I know I’m not all that bad though. I am always very busy and I have been focussed on changing some personal habits.

I will try to up my game on here. I will try to post a picture every day and say something about what I am up to.

Nature has always been there but it seems more and more people are seeing it.

I do love getting out and about with my macro lens from time to time, and having just moved house, there are many opportunities to capture. A change in scenery can do that, don’t you think? You find these opportunities to see with fresh eyes what was probably always there.

Nature seems delicate at times and so robust at others.

What is there around your garden?

More tomorrow…

It’s the new year, a new decade (depending on who you talk to), the usual new year resolutions, the half baked attempt at reinventing yourself to make you a better version of you. I used to think that it was the perfect opportunity to do just that…

I don’t any more.

What is 2020 going to bring to me? I don’t have a clue. It could be a terrible year or simply the best [in my best Tina Turner voice].

What do I know this year will bring? Well my livelihood will change as I enter my last possible annum in a career that has spanned almost two and a half decades. My contact runs out and I look for opportunity in the future. I am filled with trepidation and excitement. I no longer fear the future like I used to.

Photography and video [wow] has now been a part of my life for almost 20 years and I look forward in the real possibility that this will start to take more of a back seat. I will continue with some form of photography but possibly only for spiritual balance.

So the next twelve months will have their challenges, but one thing I have learned is that life is full of challenges and who can say which challenges will end up being more pivotal than any others? Often a challenge that can seem like a small ‘ride it out’ blip, can become the mother of all life changes and vice versa.

Does the new year really seem like the right time to make you a better you? No, I don’t think so. It’s almost a lazy approach. does that mean if things don’t work out, I must wait until Jan 2021 to readjust? Absolutely not! The proactive method for me, it to reflect almost daily on what you have achieved, what changes you are making and challenge yourself to be a better version of yourself today than you were yesterday. By doing this and being honest, you can make those small daily changes that will become big changes in time.

I won’t wish you all a happy new year, today, but I will wish you a better today than yesterday, and very day from now on…

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You know?  I’m proud to be able to say I’ve been a working professional photographer for over 15 years.  For all of this time it has been a dream job (most of the time).

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But there is no time to be complacent, I’ve been in an industry that has changed about as much as it is possible.  One thing is for sure, the landscape is so different, it may as well be on the moon or even farther, Mars maybe.

Burning leaves project

I learned this craft on film, and without using polaroids, you never really knew what you were getting.  There is a generation of photographers that curse this new generation of digital artists, some people don’t like to call them photographers.  Manipulation and editing is so easy these days.  I guess I’ve had my own rants from time to time.

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With time, the industry has confused me greatly, I have periods where I don’t pretend to understand, bu the fact is, photography is more creative, more experimental these days.  There have always been creative and experimental photographers of course, but never (in my humble opinion), as much as now.  There are a lot of exciting photographers out there.

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So what does this mean to me?  Well, I’ve essentially been a staff photographer for 15 years and although this has been an excellent job, that I have enjoyed beyond measure, however as this contract comes to an end, the future seems daunting.  I want to do better, I want it to be an exciting future, with promise and adventure.

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How can I do that?  Well firstly I want to break free of the fear that ‘you are only as good as your last picture’.  This is utter bullshit, and forces a mentality of restriction.  I intend to make loads of mistakes, try new genres, new styles, new subjects without fear of failure.

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I still have time… we all do…

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The world is an amazing place for the most part, sure there is evil, but it is much rarer than you would think.  I think we all have the capacity for evil, as much as we all have the capacity for love too.

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There are so many cultures in the world and they all seem to view things differently from their collective perspectives, usually from taught responses, that we should remain open to these different views.  It makes us more tolerant of others I think.

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With this in mind, I had the opportunity to support our Gurkha soldiers as they celebrated with their families and colleagues the Hindu and Buddhist Dashain festival.

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Billed as their cultural equivalent to our Christmas, to me by this community, it is essentially a great party, with dancing and food.

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It is always great to see communities come together in this kind of party, the mood is excellent, the food was superb and the cultural influence was amazing in its colour and vibrancy.

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One thing I did notice though, children are great levellers, as this Gurkha community is settled in the UK, so they become enthralled by the same influences as our own children.

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Enjoy these photographs of the event.

 

It’s been quite a while since I posted on this site, which is because of a couple of reasons, which I won’t bore anyone with.

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Those that do know me or have been following this, I am a photographer in the British Army.  I’ve served all over the world, in some great places… but, as I enter the final two years of my career in the military (which is a shame), I’m looking at expanding my horizons and looking at setting myself up in business as a photographer in the big wide world.  I know this is a daunting process…

So what is going to happen?

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I’m going to use this page to show, what I do day to day, to tell you what I learn about setting up a business, and what training I undertake.

A photographic page would be nothing without photos, so I have included some of the images I have captured in the last couple of weeks.

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If anyone would like to offer advice or ask more specific questions, then let me know and I will get back to you.

In the mean time, I will get back on this page, show what I have been up to since I last posted on here.

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Thanks for listening.

Now, I do enjoy a good wedding.  I particularly enjoy shooting one, which is one mentality I want to keep long term.  You would be surprised, or perhaps not, just how many wedding photographers don’t enjoy covering weddings.  One reason may be the volume they have taken on, the constant pressure of turning them round with increasingly short deadlines.

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As a photographer, I am hired, not just to take a few ‘snaps’ of the day.  I am hired as a photographer, I have a particular style, my eye looks for certain things.  I am probably not the most creative and inventive photographer out there, but I am skilled and competent.  I think I am more than that, but what I think is not all that important.  Anyway that is not important now.

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So going back to the title…

Why would you do a wedding standing on your head?  Of course you don’t, literally.

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I had been approached to photograph a wedding this year, which in itself is not that unusual, this time however, there was one major problem.  The wedding was going to be just outside Christchurch.  The one in New Zealand.  Now, this is a big deal.  As a photographer in the Army, any wedding I undertake is a BIG commitment.  I am acutely aware that my first priority is for the government.  They call, and I answer, no questions.

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But, I really like to shoot weddings.  So immediately, I cleared the dates with work, put in my leave, booked the flights and waited…. with anticipation.

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Oh the anticipation.

As the date got closer, slowly, I had to wait a year, I started to consider what differences a wedding in New Zealand would have to a wedding in the United Kingdom.  Both Western cultures, but spread by a hemisphere, there would undoubtedly be differences.  Not least being the weather…

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Actually as it happened, the differences were not to great, the weather not so different, apart from getting sunburn in February that is.

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The hardest part was the adjustment to the time zone.  I think we were about 14 hours out, and they do say that it takes one day for every hour.  No I didn’t spend a fortnight in preparation…  I did allow a week though.

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I have considered in the past, perhaps in a fleeting moment, to follow the perpetual summer, working weddings in Europe during their summer and then southern hemisphere for their summer.   I love travelling but looking back, this would be tough, especially for my family.  No I need to be more realistic I think, although I know I need to be more bold.

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Back to the wedding.  Allowing a week to get as used to the climate (bit different to a February day in the UK), and it was really worth it.  The odd early morning jog seemed to help too.

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Shooting a wedding is always a challenge, they are never the same, the people are different, the locations may be similar, but the technical challenges will change also.  You can never, in my humble opinion, just go through the motions.  I think that shooting a wedding is  like a champion boxer taking the fight.  Lose respect of your opponent, and the fight will likely go horribly wrong.  Never take the wedding for granted, after all for the happy couple, it is their wedding and after the day, can never be redone.  There is no re-shoot’s.

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One thing I did really take advantage of on this one was the New Zealand beaches, they were amazing, especially first thing in the morning, with the thunder of hoofed feet and the gentle crashing of waves.  It was well worth the early start……and the jet lag.

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I sit at my computer and contemplate the past year.  I won’t lie to you, it has been pretty horrible.  I try to be pragmatic about it all, I know there are many people who are worse off than me, there always will be.  There has been much soul searching, sleepless nights, anxiety, dark times.  There have also been some good times, as always, but I think the tendency during a retrospective is to see the bad times more clearly than the good.  Perhaps they leave a stronger imprint…

Gen Pope sitting for a portrait

 

 

Photography has sadly been lacking for a big part of this year, although I do try to do the odd bit here and there.

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One thing is certain though, this coming year, things have to change, priorities must alter if dreams and goals are to be attained.  So it’s time to start thinking with more clarity.  The new year, that fresh optimism that is injected, must be followed through with.  Distractions must be limited.

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We live in a society that offers opportunity where others don’t, most of all though, I think we must start to believe in our own abilities.

Triro in Cornwall throws its third Gay Pride parade and party today, with support not just from the Gay, Lesbian and trans gender participants, the parade has gone on to symbolise unity and acceptance.

Triro in Cornwall throws its third Gay Pride parade and party today, with support not just from the Gay, Lesbian and trans gender participants, the parade has gone on to symbolise unity and acceptance.

More to come…

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I’m back…

I will admit that before I actually went to meet and photograph Martin Parr, I knew very little about him. I knew of some of his work, I know he is a “Magnum” photographer. Apart from that I knew little else.
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Martin Parr? Who is Martin Parr? I know some who read this will not have a clue. Now having met him, I have a better idea.
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He is pleasant, a little distant (until he gets to know you a little), pretty scruffy, well actually he is very scruffy. What does that even matter.
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His photographic work is quite recognisable, he tends to use direct flash, and was a pioneer in the use of colour film on the ‘art scene’. He then started to develop using a ring flash with amateur film creating very saturated detail shots.
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The upshot was he was eventually invited to join ‘Magnum’, the photographers group which started post WW2. He funnily recalls the fact that he is the only photographer to be accepted into Magnum twice. He explains that to gain access to this prestigious club, you need approval from 75%. He was awarded access by one vote, only for a latecomer to then vote ‘No’. He was out again. The ‘Yes’ campaigners then rallied around and found one of their own stuck in hospital, so a quick visit, another ‘Yes’ vote and Martin was again voted in.
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Martin had been invited, well commissioned actually by the Sprengel museum, in Hannover to compile a body of work for an exhibition looking at the British influence in Lower Saxony, a large county of the German Bundesrepublic. The county has been strongly linked with the British for centuries, especially after the Royal links with the house of Hannover. On his travels for the project he was introduced to the British Military, a force he was not expecting to be too influential for the project, but turned out to be a major contributor.
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Anyway, I digress, this is not about the exhibition, this is about him. Oh and me ;).
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How do you approach a subject like Martin Parr? Love him or not, he has built a life out of photography, he is in Magnum for f*@$ sake. In the plain for photography, I am on the foot hills where as he is at the top of an Alpine peak. I wanted to get some portraits that included the exhibition. I won’t say I was overwhelmed, I felt ok. I knew he has a lot of portraits of people that do look awkward, it is a style thing with him (possible over simplified). I wondered if I could do the same. In hind sight I think I could have done better but then is that not photography?

You decide. What I will say though, if you are near to Hannover and have some time, go and see the exhibition. Having spoken to the photographer, perhaps I have that extra dimension, but it is great to see these images in their prime. The quality and vibrancy will never be as good in print or on the Web. It is always better to see art in the flesh.

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Any photographer will tell you that one of the biggest journeys for them to take is the attempt to do something new, so find their own USP (Unique Selling Point).  More often and not these days it is a certain look done in post production (after the photo has been taken).  An example of this is the Dragan effect (google it).  The thing is with PP is that it is quite easily replicated.  Once someone comes out with a catchy look, its just a matter of time before everyone is doing it.  That USP then becomes dull, it loses its impact.

I have decided to undertake a couple of projects over this Christmas period working at charity events  and a Christmas fayre.

Why?

Well simple, I decided I needed to do two things.  Firstly be seen for what I do (taking portraits) and secondly to capture something that makes people go wow, which is not that easy.  I also wanted to make people go, “I like that, can I book a family shoot or a portrait session from you?”

A standard set up for this kind of event is probably a two light set up, maybe three.  A main light, fill and either a background light or hair light.  The idea being that this set up is versatile as the sweet spot can be organised to be quite large.

Well I decided I didn’t want to do that as although you can get reasonable light it will not suit everyone.  There is not really any set up that will suit everyone, so decisions have to be made.  I chose to use a ‘clam shell’ set up which has the main light as a 1.2m Octobox directly above the subject, and very close.  The fill light is under my feet and I shoot through the gap in between.  The problem is that to get this really amazing soft light the subject is close to the light and the sweet spot is quite small.  I can only fit (carefully) two subjects.

Ultimately here lays the problem.  I do not directly make any money from this shoot which as a business I have to make money to survive.  There will always be people that want a certain shot and it is difficult to almost alienate yourself from anyone, but I have to look at the bigger picture.  I want you to see that I can get some amazing pictures of you guys and in a studio with all my kit at my disposal and a couple of hours to spare, we can come up with same really memorable shots that you will love.

Looking at it that way, its a bit of a no brainer really….  What I particularly love about this is the options that remain in PP, like in any lighting situation I suppose.