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Tag Archives: art

I will admit that before I actually went to meet and photograph Martin Parr, I knew very little about him. I knew of some of his work, I know he is a “Magnum” photographer. Apart from that I knew little else.
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Martin Parr? Who is Martin Parr? I know some who read this will not have a clue. Now having met him, I have a better idea.
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He is pleasant, a little distant (until he gets to know you a little), pretty scruffy, well actually he is very scruffy. What does that even matter.
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His photographic work is quite recognisable, he tends to use direct flash, and was a pioneer in the use of colour film on the ‘art scene’. He then started to develop using a ring flash with amateur film creating very saturated detail shots.
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The upshot was he was eventually invited to join ‘Magnum’, the photographers group which started post WW2. He funnily recalls the fact that he is the only photographer to be accepted into Magnum twice. He explains that to gain access to this prestigious club, you need approval from 75%. He was awarded access by one vote, only for a latecomer to then vote ‘No’. He was out again. The ‘Yes’ campaigners then rallied around and found one of their own stuck in hospital, so a quick visit, another ‘Yes’ vote and Martin was again voted in.
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Martin had been invited, well commissioned actually by the Sprengel museum, in Hannover to compile a body of work for an exhibition looking at the British influence in Lower Saxony, a large county of the German Bundesrepublic. The county has been strongly linked with the British for centuries, especially after the Royal links with the house of Hannover. On his travels for the project he was introduced to the British Military, a force he was not expecting to be too influential for the project, but turned out to be a major contributor.
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Anyway, I digress, this is not about the exhibition, this is about him. Oh and me ;).
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How do you approach a subject like Martin Parr? Love him or not, he has built a life out of photography, he is in Magnum for f*@$ sake. In the plain for photography, I am on the foot hills where as he is at the top of an Alpine peak. I wanted to get some portraits that included the exhibition. I won’t say I was overwhelmed, I felt ok. I knew he has a lot of portraits of people that do look awkward, it is a style thing with him (possible over simplified). I wondered if I could do the same. In hind sight I think I could have done better but then is that not photography?

You decide. What I will say though, if you are near to Hannover and have some time, go and see the exhibition. Having spoken to the photographer, perhaps I have that extra dimension, but it is great to see these images in their prime. The quality and vibrancy will never be as good in print or on the Web. It is always better to see art in the flesh.

http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL5357TF

For those of you that have been following this blog for some time, you may remember that a little over a year ago, I returned from a tour of Afghanistan.  An interesting time and an opportunity to capture some amazing pictures.  Well they mean a lot to me.

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On my return an artist saw one of the portraits I had made and asked if they could interpret it with pastels.  This morning I got an email with the end result.  I just wanted to share it as I think a lot of the character has been captured here.  It is perhaps a little unfair to see both media side by side but I wanted to show that it is not a direct copy, there is definitely an artists interpretation which I think is so important.

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Let me know what you think.

The Artist is my Dad and he only began doing this after he retired.

Snap, snap, snap, this photography lark is easy….. Isn’t it?

Any of you who have read some of my older posts will no doubt at times have noticed that I am a little critical of Photography as a form of art. As a photographer myself this is not meant in a detrimental way, more a quizzical way.

To describe an image as arty usually means it has a below a quality threshold but illustrates an effort to provoke some kind of thought process.

Now I am quite opinionated about art where it seems a skill of verbal diarrhea makes certain arty types go weak at the knees. I am however coming around to certain aspects of art in photography. Why?

Well I do think that far too many photographers are overly critical about their abilities, I know I am far too harsh at times. Does photography come naturally, we’ll for some it does and others it most certainly does not. Because it comes naturally to some does that mean it is any less impressive.

Where there is a problem, I think, is when photographers concentrate on an aesthetic composite over a narrative. After ten years, this is something I only now think I am getting to grips with, although some of that is my acceptance that each year that passes, my photography changes, the focus, my understanding of what I want to capture and how, seems to change constantly.

So what does this mean?

Well it means that as a photographer I am always adapting, moving, processing, getting better? Well, that will always be a matter of opinion. One thing I do know is that the more experienced I get, the clearer I see a photographic opportunity, the more I am able to preempt a situation and try to posting myself accordingly to get as many of the relevant elements I can into the frame.

The ultimate mission is to capture everything relevant to the narrative in a single shot. Not an easy thing to do, but always an objective.

You always want a picture editor to choose your image to support the article, and more often than not, one image is key (although with the Internet, there is an unlimited space). In print, one photograph is best, although not always possible.

So, as a conclusion, the images I take now are not simply a case of the fraction of a second it actually takes to capture the scene, but it becomes a culmination of a whole pile of ingredients. Like a chef, two people can make the same dish with the same ingredients and come up with completely different end products. This is the same with photography, two photographers at the same event with full freedom of movement will still come away with different images. The images I take now have taken far in excess of ten years to produce, which brings me to my final point, and one that for some time I never really understood. When I say I made a photograph, I now know I mean it. I construct an image from the surroundings, my position, my composition, my use of the photographic elements of shutter speed, aperture, ISO, the use of the lighting, or adding my own light. A photograph can really be so much more than just a snap, a brief moment captured as a still.