The ‘SCURGE’ of photography and a client education

At times the life of a photographer can send you to some stunning locations. I recently found myself working (yes, you heard me, working) in the French Alps to cover a skiing competition.

So rather than show you images of skiers, I thought I would share something else.

I don’t really do many landscapes, although I enjoy them, I find them frustrating most of the time because I am either there in the wrong time or I am simply unable to stop and take the photo. Comes with rushing around doing other things I suppose.

Not typical landscapes and not the same as I have done in the past (I do have some examples on my website http://www.LIMEfotographic.com). This time I was interested in the fast flowing water, the fresh snow and ice sitting on the rocks and the at times abstract nature.

Specifically looking for long exposures, a good tripod was a must and the help of a local (well kind of a local, an American, or Texan, if he had his way), we went exploring a small stream looking for interesting shots.

I have experimented with some different post production ideas and was inspired to be bold by this same ‘local’ who showed me some of his own work.

Like always, like it or loathe it, the work should speak for itself. You decide.

Getting known and trying to break the norm.

November 28, 2012

Development, Portraits, Promotion

Any photographer will tell you that one of the biggest journeys for them to take is the attempt to do something new, so find their own USP (Unique Selling Point). More often and not these days it is a certain look done in post production (after the photo has been taken). An example of this is the Dragan effect (google it). The thing is with PP is that it is quite easily replicated. Once someone comes out with a catchy look, its just a matter of time before everyone is doing it. That USP then becomes dull, it loses its impact.

I have decided to undertake a couple of projects over this Christmas period working at charity events and a Christmas fayre.

Why?

Well simple, I decided I needed to do two things. Firstly be seen for what I do (taking portraits) and secondly to capture something that makes people go wow, which is not that easy. I also wanted to make people go, “I like that, can I book a family shoot or a portrait session from you?”

A standard set up for this kind of event is probably a two light set up, maybe three. A main light, fill and either a background light or hair light. The idea being that this set up is versatile as the sweet spot can be organised to be quite large.

Well I decided I didn’t want to do that as although you can get reasonable light it will not suit everyone. There is not really any set up that will suit everyone, so decisions have to be made. I chose to use a ‘clam shell’ set up which has the main light as a 1.2m Octobox directly above the subject, and very close. The fill light is under my feet and I shoot through the gap in between. The problem is that to get this really amazing soft light the subject is close to the light and the sweet spot is quite small. I can only fit (carefully) two subjects.

Ultimately here lays the problem. I do not directly make any money from this shoot which as a business I have to make money to survive. There will always be people that want a certain shot and it is difficult to almost alienate yourself from anyone, but I have to look at the bigger picture. I want you to see that I can get some amazing pictures of you guys and in a studio with all my kit at my disposal and a couple of hours to spare, we can come up with same really memorable shots that you will love.

Looking at it that way, its a bit of a no brainer really…. What I particularly love about this is the options that remain in PP, like in any lighting situation I suppose.

In the thick of it and always experimenting

November 19, 2012

As a photographer one of the best parts of the job is the sheer volume of options. I love the fact that I can always learn new techniques, be it composition, lighting, style or… well the options some times feel pretty limitless. #

The only limit to a photographer is their imagination.

I love playing with lighting, the studio is a great place when things are going well and the most frustrating place when they are not.

Lighting is, in essence quite simple, even the most complex of lighting set ups should look simple, but simple is great to look at and natural.

After setting up a stand at a recent charity fashion show, I thought it would make a great opportunity to try a simple clamshell setup. I have to say I have never used this one before and I really have no idea why. It is an amazing light and with post pro can suit men, women and children.

For this one I had a 1.2m Octabox as the key light, with a simple shoot through brolly as the fill from the floor. The lights were no more than 1m from the subject so I used a wide lens for most of them.

Another set up in the bank.

Building books and the tangible truth

October 22, 2012

Afghanistan, Military work, Opinion, Portraits

6 Comments

If there is one aspect of digital photography and the internet that I don’t like it is simply the lack of necessity to print your images.

There is nothing quite like a decent print, and trust me it is never simply a case of hitting the print button. So in the last six months or so I have been responsible for producing 4 photographic books, and all I can say is wow. Although the books have been limited run or one offs, the sense of achievement you get after all the work of putting them together and handling it is second to none.

I now have the printed book bug.

A reflective image is so different from a back lit image, that seeing your images feels like seeing it again for the first time.

There are some amazing companies out there that can produce these books and some of the software you can use to complete the books are very straight forward. All I would say is don’t feel the need to over complicate the layout.

Photo books should ideally, in my humble opinion, be about an image at a time, although that is not always possible. There is certainly a skill in putting a book together and I feel myself getting better each time. There is a lot of work, in particular when you are trying to include other contributors.

Another important effort is to do your best to create a narrative, to make the images inter connect and flow from one to the other and at times, even if you have a cracking image that misses the narrative, do not shoehorn it into the book just out of hand. If you need to add another section to the book to fit it in, then try but be your own worst critic.

The end result is worth it though.

Finding the time, a photographers lot

October 19, 2012

Well many of you may be aware the last few weeks have been a blur, but a happy one. Now I am starting to move on and as a photographer, there is always a difficulty balancing the work with real life. Any working photographer lives and breathes photography, and I find it gets worse the longer I go on. Understanding light is probably the hardest thing with photography and it takes time. There are no shortcuts here and learning to identify and use light is something every photographer constantly works with.

As I understand light more and more, I see opportunity and inspiration. I suppose it feels a little bit like staring at the screen on ‘The Matrix’, you just start to see photographs everywhere. That said seeing images and capturing images are two completely different things though the more I see light and its subtleties I base it on images I have taken.

Now I like working in the studio with controlled light. There is a sense that anything is possible, if you can just control it as you need. I really love photographing people but the most difficult part is ‘the people’, getting them to do what you want, no, need them to do. A sitter does not have any idea what is going on in my head (probably a good thing), and I am working towards an end product that nestles in the outer reaches of my muddled head.

There is no substitute for working with people, it really is the only way you get to know the craft of lighting. I can play with new ideas on an inanimate object but translating that to people is something that can only be done with people……

….and no two people are the same.

So there we have it, this post is no more than a plug, I need you to improve and you need me to take your portrait, so there you go, no excuses any more…

And here is to the weekend, all good in moderation.

Award winning, does it really make a difference?

October 12, 2012

10 Comments

I write this blog in somewhat of a state of shock. I have just been told that I need to get myself over to London next week to pick up a couple of prizes from the Army photographic awards. This image was taken at 0500 using available red light on a high ISO and shows us packed like sardines into the back of a Chinook about to go on an operation.

This year was only the second time I have entered in ten years for one thing or another, and after being runner up last time, the improvement was great. This macro shot was taken with a macro lens and was supposed to be an observation of religious prominence within the military and more so with the Americans. What is does not show however is the levels of religious diversity that we have now.

If I am totally honest, I didn’t really hold out much hope as much of the last 12 months was doing video, and if I am even more honest, not to a great standard. Military equipment – this was one of my favorite portraits from Afghanistan, it shows an attitude and toughness that belies the old equipment they operate with.

So back to the competition. I am obviously very pleased for the recognition, but I really don’t think it means all that much at the end of the day but what we can do to raise the profile of our small group of individuals who work hard to show our colleagues at their best. This is not down to me being disrespectful to the other entrants in this particular competition, just the fact that winning competitions may be a skill but also requires a lot of luck. After all three judges look at the images subjectively and pick their favorite and on another day with different judges, the results would, I am sure, probably be very different. This military portrait taken in the studio is intended to show a diversity within the whole port folio. It is a standard portrait with a little twist.

I had no idea who was judging this competition, not that knowing that would have made any difference. The simple fact is that photography is purely subjective and what one person loves another simply can’t stand… the Marmite thing I suppose. In the absence of a perfect boxing or skiiing shot (not much of either in Afghanistan), I wanted to demonstrate a little bit of the British soldiers sense of humour… unfortunately there was no lake in sight.

So what did I win? Well rather surprisingly, the Professional port folio award and the best Professional image. Wow, now I am speechless. From the harshness of Afghanistan to the grandeur of Hannover town hall for the Queens birthday celebrations, a city that has close ties to the royal family.

The port folio was a simple case of choosing eight images, each one fulfilling a single criteria. Operational image, Sport, Macro, Black and white, portrait, military equipment, Interior and Public relations image. So the portfolio was always going to be a mismatch off images rather than a coherent collection of images to support a narrative.

Which ever way you look at it, there will be controversy and disagreement, as everyone will see different things from the images submitted. So there we have it for another year, I only hope that we as a photographic trade can make the most of this and promote ourselves as the self motivated, professional individuals we are.

The image selected by the judges as the winning image, taken just before the officer at the front of the picture screamed at me for not being where I should be.

Territorials are dead, long live the reservists

October 5, 2012

2 Comments

The Territorial Army or TA, have been around for longer than I can remember, and since I joined the British Army ‘Regulars’ they have taken the brunt of the jokes.

These part timers or weekend warriors have over the last decade had a resurgence fueled by an ever increasing involvement in Afghanistan.

The name ‘Territorial Army’ is no more, replaced by the simple ‘Reservists’, many of their numbers have now served more operational tours than some of their regular counterparts. Probably a minority but this fact is one aspect that has transformed reputations.

There are still ways to go, but the momentum is there and with more and more ambitious training exercises going on, I feel the reputation will improve.

As the government places more and more emphasis onto the reservists, the future looks bright for these soldiers and their future looks assured.

Viable and sustainable? Well really only time will tell, but with so much being laid on their shoulders, can they afford to fail?

Any opinions or points of view expressed in this blog are not the views of the British Army or the Ministry of Defence, but of myself and should not be viewed as official comment.

Should you wish to follow us, you can find is on http://www.Facebook.com/LIMEfotos

Still playing catch up

October 4, 2012

One of the best parts of this job is the diversity of the tasks that come in. One of the more interesting that has come in recently is the funeral and re-internment of a soldier from Operation Market Garden from World War 2.

Not one for being known as a historian, but basically Operation Market Garden was the momentous assault by the allies of Arnhem in the Netherlands and more specifically the bridge in Arnhem.

The operation was known for a number of reasons, mostly for its audacity and the scale as an airborne operation made famous by the old film ‘a bridge too far’.

Not all the soldiers involved were Para’s or airborne and due to the intensity and ferocity of the fighting many soldiers lost their lives, many being buried in field graves and marked accordingly with the intention of burying properly after the battle.

As part of the battle though, the German military burst dykes and flooded part of the land as a defensive measure which also washed away many of the grave markers meaning so many soldiers were never found.

Occasionally remains of soldiers are found and the difficult task of identification ensues. With no DNA records on file, the investigations are usually based on artifacts found on the bodies and dental records which do take an inordinate amount of time.

Private Curtis was only 19 when he fought and lost his life in battle with his unit the 5th Battalion of the Wiltshire Regiment. His body was discovered almost ten years ago and then the difficulty began to try to identify him.

The family were there to see him buried with full military honours and the poignant thing was that a relative of Pte Curtis, Rifleman Edwards is now serving with 5 Rifles who are the current guise of the old regiment.

It’s a ‘Riskey Business’

August 12, 2012

Development, Music

2 Comments

As many of you are already aware, I really enjoy my job, to the point of feeling guilt at times. How can I enjoy a job so much? I think one of the primary reasons for this is the fact that no two days are the same. This is such a challenging vocation at times, and sometimes so simple. I enjoy photographing people, in the studio, on location, it’s just so much fun (although there are times when there is little fun to be had).

One of the things I particularly like is the opportunities there are to ‘try something new’. Too many people see the skill of photography as a dying art, or simply a matter of a numbers game to capture the one required image.

Photography is a form of art, it can be creative but there is creation in every single image. The camera operator has decisions to make every time the shutter release is pressed, composition, timing, exposure, aperture and shutter speed. Then there is lighting, another discipline that is undervalued by viewers everywhere as the best lit shots out there generally look like they are naturally lit, so with very little skill.

The fact of the matter is that every time a photographer captures a moment, there are so many things to consider, that people just don’t see.

As a photographer and an aspiring photographer too, it is dangerous to get comfortable, you always look for the next image, the next project, so being asked to photograph a local hobby band for publicity shots was a challenge to look forward too. At this point I feel I need to add that these musicians are brilliant and the term ‘Hobby’ is meant to show their motivations, they play for the love not the finance (although they are available for hire).

Due to the nature of most of their day jobs, the band line up does change constantly as members move on and new ones replace, but this adds to the difficulty of getting the photograph.

I shot the band the first time in 2011, not too long before I went to Afghanistan, a short time out of the bands religious rehearsals. With a camera, a few flash guns against a brick wall, I managed to make a simple image, but after I felt it did not do the band justice as by their nature, their line up changes almost monthly.

Then back from Afghanistan, a new line up, with even more changes on the horizon, I wanted to do something that I felt suited their make up.

Individual portraits, all with the same identical lighting that have that connection, the images could then be brought together to make a band photo.

I did however make an image of the band all together too, call it the banker shot if you like…………..

More Royalty and the Rifles march on

July 17, 2012

Development, Military work

1 Comment

Wow, where have the last two weeks gone? Work has been crazy, a new promotion and a busy diary have contributed to my head spinning.

Having spent a vast amount of time in Afghanistan recently, it is natural to take some time to get back into the real world. Life in Afghanistan in many ways is simple, you get up do your job, eat and sleep, there is not too much more to do. Life back home seems so much more complicated as a result.

Getting the kids to school, sorting out the kids passport, chasing bills and paying invoices, meeting clients, and even at times taking the odd photograph, it all seems like there is so much to do.

So the tasking came in to photograph a home coming parade for some local press journalists from the UK came up. This is after all our job so this is not a problem and it also gets me out of the office doing what I enjoy so its a winner all round.

I have never photographed a Rifles parade before so I was there early to get a good look around and make sure everyone knew what I wanted to do and where I wanted to go. In the middle of a parade it can be quite daunting to wander onto parade and shoot away.

It is mostly a simple case of letting certain people know what your intentions are and they will be fine. They also know that they will be getting copies of the shots for their own use too so everyone’s a winner.

The weather in Germany has been as bad as the UK recently so that will tend to be an issue but you can’t plan for every eventuality although in this case we worked out being quite lucky.

All in all it was a good day and we got some good coverage in the press back home.

Time is my only enemy these days.

June 22, 2012

It now seems like such a long time since I was out in Afghanistan, in real terms it was. Three months is such a long time. We move on quickly, get back into the swing of things in our day to day jobs. I am now (for those who have not been paying attention) back in Germany with my family. Still working in the Army, yes we still have some of the Army based here (not for too much longer though).

This job does not seem like a job much really, it really is a shock to the system to enjoy my job as much as I do and in fact I have been known on many occasions to feel real guilt as I see people around me slumped and dejected as they struggle through the week to get to the weekend.

None of that for me, many weekends I am behind the camera enhancing my skills and keeping looking for a way of doing things I have not tried before.

One of the most exciting parts of this job is the variation. This week has been a prime example, for three days I was chasing soldiers around a live range trying to capture images for their local press who had come out to visit. Then there was the small matter of photographing a high brow event in Hannover city center to commemorate the Queen’s birthday and then today I spent the day photographing handicapped children as they climbed all over military helicopters.

All this work needs to be processed and dispatched to whoever wants it. Not a five minute job. So my long suffering wife has to watch me sitting at the laptop most of the evening.

Ah, a negative! Perhaps the only one. Sometimes there really is just never enough time in the day. I need to get a new watch……………

One with a 27 hour day.

Mike & Sara Ambrose wedding in Bath

June 16, 2012

Wedding

2 Comments

I don’t get much opportunity to shoot weddings which is such a shame as I do really enjoy shooting them. I deal with weddings in a similar way that I shoot my military work. I like to get as much preparation time in that I can. I don’t like shooting to a formula, but over time you get to know what shots work and which ones don’t. As photographers we work to our strengths and one photographer is very different to another.

The wedding of Mike and Sara was given to me by a colleague as they already had a booking and to do the wedding I made the long journey from Germany, which meant that I didn’t get to meet the Bride and Groom until the day before the wedding, or go to see the venues.

I shot this wedding with a friend as my second shooter, Jim (Will) Williams, who I have worked with on a number of occasions and some of his images were simply stunning.

This wedding was a little different from any I have shot before as I was only required to shoot from the arrival at church to the start of the wedding breakfast. In total about 4 hours which included a trip through the centre of Bath on the Jubilee weekend Saturday. Everything went to plan and apart from the wedding car breaking down as well as the bus laid on for the guests. The Bride and Groom were the definition of laid back which made this a pleasure.

The official images were handed over to my colleague to process so I have had the opportunity to be a little bit bolder with my own processing and I have done them in a way that is unusual for me, but then, why not?

Please feel free to look through the images and give me your feedback on them.

Herding cats and capturing character

May 13, 2012

There is a popular phrase that we have all heard stating you should never work with children or animals, however as a photographer, you try that. I recently came up with a promotion idea to get people into the studio, to see how we work and hopefully come away with plenty of workable images to wow the customers.

This became the ‘Pets win prizes’ competition. The premise was for local people to bring their pets to our studio in order for us to try to capture some of their character. The shoot was free and an image from their shoot was to be displayed on Facebook in a gallery for people to vote (like) their favorite. The winner is the image that 7 days later has the most likes. They then win a canvas wrap print of their pet (not necessarily the one used in the competition).

As with anything like this, the build up can be nervous as you find yourself asking the questions, like, did we promote this enough? Will people turn up, have we explained the situation properly? Has word got around?

I need not have worried because apart from a quiet hour at midday, the event was a success. We got a variety of pets in from the expected cats and dogs to the more exotic Bearded Dragon and some tropical fish in a huge beer glass.

I like to put myself under pressure, and I limited each shoot to 15 minutes, which included the time to get to know the animal a little, try to find some of its character, decide on how to work with it and light it, and then execute (not the animal but the idea). I could quite easily have set up a flat light setting and just gone for the safe option but I didn’t want a load of same images. I wanted to be creative, to try to show off each animal as best I could in the time.

At the end of the day, I sit through the images and I have to be honest, I am happy with what we got. There are a lovely range of shots, the customers went home happy and I now hope they like what they see. I don’t photograph a lot of pets, so this was an ideal opportunity to try to broaden my horizons as a photographer.

As I try to complete the job, my eyes are heavy, this was a challenge but like all challenges I am left in its wake feeling content. This is the kind of project I think I should do more often and I urge others to also. It is all to easy for a professional photographer to focus on revenue, but there is a kind of warm feeling when you undertake a project for no obvious gain, that said I did take a couple of bookings today which is nice but certainly not what this was all about.

If you have read this blog today, could I urge you to visit our Facebook page, and visit the gallery. Please take a little time and like any images you like. The winning pet owner will I am sure be most grateful. Plus there are more images from the set to see. As with any of my work I love to hear from people, feedback is important.

Ground-rush!

May 11, 2012

Some of you may have become aware that as a promotion I am organising a pets open day at the studio this weekend. This is a project designed to raise my profile within the community, so show off my work and me working. The prospect of having a studio full of a variety of pets is daunting but the potential of the day excites me. One thing is for sure, it will be a busy day.

There is still so much to arrange and finish. I have props to paint still as its been a while since all my posing blocks were properly white. I think the key to these things is to keep things as simple as possible but not this time. What I am conscious of is I don’t ideally want 20 pets all in the same light. I want to have a gallery of images that shows the animals off to their best and gives the final gallery some range.

Another consideration is the final output! The winning pet will be the one who gets the most likes on our Facebook page and will be printed on a large white Canvas for the owner, so the image has to suit this output.

I am allowing four pets an hour to step in front of my lights, which does not sound much until you consider the effort. I have options. Light or dark backdrop? Soft, hard light, props or not. What is the character of the animal and how can I capture it in a few minutes. I after all only need one image for the gallery.

Sunday is not too long away now. All the details need completing, there is still so much to do, I simply don’t know if I will get it done in time.

Look out for the release of the images and please visit our Facebook page to vote for your favorite image when they go live. There will only be 7 days before the winner will be announced.

Pets win Prizes!

May 5, 2012

Development, From the Archive, Opinion, Portraits