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Landscapes.  I dabble, I will be honest, I don't spend the time on them that I should.  Commercially they are quite hard to make any profit from them, unless you happen to be called Peter Lik (Google him).  Worst of all, though, is that as the summer gets closer, the mornings get even earlier. So every once in a while, when work allows, I will get out there and capture a landscape or two, or just go and look for a possible future image for when the light is better. Mark-2016-04-04--42 I know I should do more, I know I should, but that is where we must try to balance our lives.  There are times that I wonder how some photographers manage to make their photography the sole purpose (or certainly give the impression).  Life does not seem to be in the way for some. 22608538936_448323f4e3_o I contemplate offering framed landscapes to clients who book a particular wedding package, but struggle with this too.  Who would want one of my Landscapes on their wall?  Lets face it, I don't even have any of my own hanging up. [caption id="attachment_1949" align="alignnone" width="3000"]British Army assist the Environment Agency with floods.  

I don’t really get to take too many landscapes.  I feel you really need to be out looking for them constantly and the reality is I will see a potential but the weather is either wrong or it is the wrong time of day.  So I make a mental note and go about my business.

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I have been eyeing up this location for a while, the leaves are turning and in the evening light these colours will simply pop.

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On the way home today, I stopped…… and explored.

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There is not much more I can say about that.

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As I write this I have just discovered that another good friend of mine has been ‘ripped off’ by a so called professional photographer.  Why am I pissed off?  Simple, because every time this happens the effect is felt throughout the whole industry.  I have been a professional photographer for over ten years now and I do not know all there is about photography.  It has taken years to build a reputation, a style and a direction.  There is no short cuts for this,

There have always been con men and women, that is nothing new, but the recent progress in photography has made this a breeding ground for minimum risk chancers.  It is easy to set up a website, operate for a few weeks and then vanish.

Everyone is aware of the massive increase in photographers available and offering you their skills. This is both good and bad.  Good because it has removed much of the elitist attitudes and competition is always good.  Bad because most clients know little or nothing about the industry and how it should operate to be able to make an informed choice.

The papers are always telling stories of a bride and groom duped into giving away their hard earned money and being heart broken when the resulting images are not at all what they expected.

So how can I help?

I am going to give prospective clients 5 tips to reduce the risk.

1.  Do your research.  Visit the photographers website (no website should set alarms going), check their galleries.  Is their work of a quality you would be happy with?  Are the images of a similar style?  Are they creative images?  Visit their Blog (most have them now), do their blog entries match their website in quality and style?  Look for endorsements but don’t trust them out of hand, anyone can write a few words.  Be more trusting of personal recommendations although this is not always possible.

2.  Speak to the photographer and meet them before any booking.  Check the quality of their work on their walls, again, does it match the website for quality and style?  Ask to see any other imagery that they have done that is not on their website or blog.  Always ask to see a complete wedding if that is what you want to hire your photographer for.  That could be either a digital display or a copy of the wedding album.  Be cautious if they refuse, why would they?  

3.  Make sure the photographer has insurance.  This should mean that you are protected to some degree.  If your wedding photographs are ruined then this insurance will cover for this.

4.  Get an contract.  This should be an agreement like an email identifying what you should expect may suffice in many cases.  I have had instances as a photographer where a client has said to me ‘but I thought I was going to get A, B and C’, the contract is there to protect the photographer as well as the client.  Make sure you read and understand what is written.

5.  Be cautious with up front payments.  Most photographers will charge you some kind of sitting fee, this is to be expected.  Make sure you know what you are getting for that.   You should however expect to pay up front for a wedding (this is standard practice) so seeing as much evidence of the photographers work as possible is a must. 

These simple suggestions will not remove the risk completely, but may minimise it.  Photography is subjective and in any dispute, if the images are well composed and exposed correctly, you might find any judgement does not go in your favour.  Make sure you actually like the work you have been shown.

A photographers web site should only contain images that they have taken themselves or within a larger company, although there have been instances where photographers put stock imagery on their page, so their website has professional imagery.

These points are not an exhaustive list but a mere five suggestions that will help minimise your risk.

Photography is as popular now as it has ever been, with many households in the west owning at least one reasonable SLR (or so it would seem).  The instant viability of the image means that if you miss the first shot you can adjust your settings and have another go (in many cases).  We take many more photographs than we used to and probably as a result this has actually devalued the image.  We can simply take another shot, means that getting it right first time is not important…

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The number of people I speak to who tell me that photography is actually not that easy, they went out and bought a really great camera that has all these buttons and hey, “why can’t I get the background to blur?”, or “my photo’s were too dark”, to name a couple.

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Whilst it is true that the newer cameras are technologically advanced and will continue to be so, there is a skill, a skill that is totally reliant on knowing the principals and more importantly being able to and understanding how to manipulate them.

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I have been toying with the idea of dabbling with film for some time now, and have recently bought an old large format ‘Speed Graphic’ or press camera from the 40’s and 50’s.  It is a big beast (not the biggest), and I have yet to find the memory card slot, let alone the playback screen.

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The fact of the matter I plan to work on some portraiture and possibly the odd landscape, and the exposure needs to be spot on.  So I decided to play around with some exposure techniques.  The first I tried was a rather clunky and simple method, where I take a spot meter reading from the lightest part of the face and then for my daughter I over exposed the whole image by 1.3 stops.  The exposure alteration will vary depending on the lightness of the skin.  The reason for this is the light meter will try to make your selected area mid grey, but for my daughter that would make her look too dark.  There is an element of trial and error to start with but as you look at your subject you will get to know what adjustment to make.

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Any way back to the subject, I had decided not to view any of the images until I was finished and my daughter was eating her promised ice cream.  Although not the same as film I wanted to add that little bit of pressure to the process as it was not that easy to re shoot if they had not come out.  It’s all part of the mind set needed for film.

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The images in this entry are those from the walk and as you can see I did not get too many.  But the exposures were exactly what I wanted and apart from a little split toning or desaturating in Lightroom, they are as they came out of the camera.

These images were taken on a D800 with a prime 105mm f2 lens and manual focus.

SLOW DOWN AND GET IT RIGHT FIRST TIME!

With a blog comes great responsibility…….or does it?

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I look here today and realise that it has been almost two weeks since my last post.  Me bad!  Wait though, there is a reason for it.  I have been really busy trying to rush those last bits of work before I go on a break with my family on Friday.  I know, I hate hearing myself say it.  Busy just seems like a lame reason.

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So what have I been doing?  Well the fact of the matter is babies, or new born’s.  A particular genre that really is a skill and there is no substitute for experience.  Well photographically I have committed a cardinal sin, in my eyes out of necessity. These shots have to be done in a very small window of opportunity at a time when a new family scrambles to get used to the tremendous upheaval.  So the plan was to offer a few (small number) new families the chance to get some portraits of their new baby at absolutely no charge.  There will be photographers now swooning at this as the something for nothing situation is what has got this industry into it’s condition.

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In my defence, I had not shot babies this young before, my studio was not equipped for it and I really was not sure what to expect.  All facts that I ensured the parents were made aware of before hand.  You can’t exactly tell a ten day old baby what to do can you?

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A chance to play with new ideas, new colours, new styles was amazing, a recent trip to the UK meant I could pick up some simple supplies like wooden flooring and some really amazing blankets.

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The end results?  Well after all they are subjective and I fully understand that not everyone will like them but the response from the parents has been amazing.  I have another string to my bow and I do feel that my photography has made a step too.

Yesterday we had a sporting event here in Germany.  Chances are few people heard about it, there was not too much advertising certainly outside of the field.

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Every year there is an athletics competition, in the town stadium in Herford, near Bielefeld.  The only people that probably get to know about it are those units that are invited to field a team.  Many of the athletes are probably selected little more than a couple of days before it happens and in some cases, the athletes are actively taking part in their [chosen] event for the first time on the day.

As awful as that sounds, the reality is that for many of these competitors (although not all), their level of experience is largely irrelevant.  The truth is that competitions like these are not really about the level of skill or the ability of the competitors.  These contests are in plain terms military competitions rather than athletic.

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They are about guts, determination, team work, effort and overcoming yourself.  So the opportunity came up to photograph the event, not because we were tasked to but because we could.  In the absence of a formal request I decided it would be a fantastic opportunity to use this as a training day.  Try some new things free from the usual expectation that can lead you to the safest route.

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Photography is subjective as I have said before, and this is not an excuse to show the crap and try to market it as art.  I invited the other two photographers from over here to join me with a brief to submit only five images from the day.  Their choice, but they should mean something to them.

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Now five images is not a lot but it can be plenty.  Once I had been through all the  images choosing the final images was not all that easy.  The ones I chose would probably not be the choices of others but that is the point.  This day was about observation and thought.

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My final choices are those in Sepia as when it came down to it I felt I wanted to unify them in some way.  There is one colour image though.  An image I liked for its use of focus but when converted to sepia, it lost some of its elements.  It stays here though because it’s my blog and I can do what I want.

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The truth of the matter is that when you push yourself, photography is never easy, after concentrating so long and hard, I went hope tired that day……..but content.

I have talked about Landscapes a few times on here and openly admit that to do them justice (for the vast majority) you have to invest time and effort.  Sometimes you have to see an opportunity and try to find a way to make the most of it.

On my way home today the weather rapidly changed.  My cameras were sat on the front seat and I spent the next few minutes looking more at the sky than the road.  I had already decided that I was going to stop, but I just needed to find the right place.

Surrounded by fields with varying crops, I settled on a strawberry field where locals were busy picking and eating the crop.  The sudden darkness did not seem to bother anyone.

Enjoying the fresh breeze that you have craved all day on a day like these, I rushed to select lens, ISO, shutter, Graduated filter, tripod, I had to work fast as the clouds moved so quickly.  I managed to make a few exposures before I had to move on.

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This one is my personal favourite.

How many of us drive around, see something interesting and stop to take a photograph?

In these days of being so busy, it is not always that easy, is it?

I carry my camera around with me most of the time, and after a recent visit to a Peter Lik gallery, I have been invigorated by the landscape around me.

The reality is that we are mostly rushing around towards the next deadline that is simply to close.  What is the answer?  Leave plenty of time to allow for opportunity or change your mind set so that time is really not all that important.

Now the German landscape in my immediate vicinity is not the most dramatic and certainly not the kind that Peter Lik visits for his landscapes (sounds like excuses I know and perhaps they are).

The reality is that to do landscapes justice, you have to dedicate time and effort, more than most people (myself included perhaps) are willing or simply able to give.  It is sad and a little depressing to admit but like most photographers time is our enemy and quite profound as it is one of the primary parameters we work with on a daily basis.  We are always either fighting it or trying our best to manipulate it.

Now I am by no means a landscape guru by any stretch of the imagination but sometimes it is fun to get out on your own with a camera and a 4 x 4 and simply look for the opportunities.  There is a convention that says decent landscapes should be taken at sunrise or sunset and really most of the time these are the best times as you can get some amazing light but quite often these times can give you a pretty cliche’d image.  That is not to say a bad image, but for me they can lose impact if you feel you have seen them before.

We get so bombarded with imagery these days as there are so many cameras clicking away all the time, there ends up being some fantastic stuff out there but sadly often they are hidden among the mundane.  A quick look on flickr searching for landscapes and you will see what I mean.

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Germany is a stunning country in so many ways and I plan to try to capture more of this, I will of course share with you too.

There are some more examples of my Landscape work on our website http://www.LIMEfotographic.com Please feel free to visit.

Lighting in the studio is simply never ending, there are so many possibilities.  Different intensity, direction, modifiers, sources and on and on.  The opportunity to play with the D800 for the first time in the studio was a big motivator too.

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I enjoy working in the studio for its control-ability. The only way to learn is to practice and play with the light.  Some of the things you can do with light is simply amazing.

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Most of my lighting set-ups are either one or two lights and getting the simple lighting to work is the most difficult.  As you begin to understand how the light will work, you learn to manipulate it the way you want to.

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So with a couple of hours, a willing model and having some ideas before hand, you can come out with some decent results.  Now how can I get it better?