As we wait for our next assignment, I get the chance to look through some of my old archives (I only have a small portion of them out here).  The reason I brought these out was to look at creating a private coffee table book from the Iraq tour.

Some of you will have seen this on the home page of my website http://www.LIMEfotographic.com and the reason for that is that this image is personally my favourite image taken on my Iraq tour.  It was taken on an operation with the Scots Guards north of Basrah, where we went to assist on some Civic assistance providing some infrastructure maintenance in preparation for the winter months.  These marsh people were persecuted by the Hussain government and were openly friendly towards us, they were not threatened by our presence and in fact seemed to feel comfortable around us.  This image is an illustration of this with a father and son simply walking at ease towards one of our Warrior tanks.  When you consider what hardships these people had to endure at the hands of Saddam, the fact that they could differentiate between the army of that regime and ours was outstanding.  To see the way these people lived so close to a major city like Basrah which before the war was fairly modern, was indeed a contrast.

This image probably means more to me than it will anyone else, but like many images, the personal connection is what identifies the narrative.  I don’t know if this is a great image or not and a part of me does not care, this image means something to me and really that is all that matters.

Like many of us Army photographers, we have been criticised for making pictures that are too clean, well composed, too perfect and somehow missing the shot.  I think this may be true because if you look at some of the most well known press images, the ones that have become totally iconic are usually little more than snaps, however they capture something, usually raw emotive content, that compositional quantity overlooked by many photographers.  Sometimes this can be a harsh commentary as when trained to look for composition and create images you generally get to a point where you can not take a photo without slipping into one composition guide or another.  The composing of an image just becomes automatic.