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Now I do like working in the studio very much but I don’t really get to spend as much time in there as I would like.  When I do work in the studio, it is with mostly family work.  I do find it quite difficult in Germany (not speaking the language) to find willing models to give up their time free of charge.

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When I am in the studio it does tend to be just me and the subjects, as another difficult contact can be a Make up artist.

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Recently I was approached randomly by a Make up artist who had just moved into the area at exactly the same time as a local amateur model had emailed me to work together.

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For me the whole point of doing these TFP (time for print) shoots is to try things out, be it lighting or style.  The same needs to be said for the model and the MUA.  Otherwise the relationship just cannot work.

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Anything that questions what we have done before and pushes you as an artist involves boundaries and without doing these shoots you will never progress and move forward.  It is easy for an artists work especially for commercial shoots to kind of become stale and dull.  You have to take chances and get yourself out of those comfort zones.  Usually you are surprised what happens and where it takes you.

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As I write this I have just discovered that another good friend of mine has been ‘ripped off’ by a so called professional photographer.  Why am I pissed off?  Simple, because every time this happens the effect is felt throughout the whole industry.  I have been a professional photographer for over ten years now and I do not know all there is about photography.  It has taken years to build a reputation, a style and a direction.  There is no short cuts for this,

There have always been con men and women, that is nothing new, but the recent progress in photography has made this a breeding ground for minimum risk chancers.  It is easy to set up a website, operate for a few weeks and then vanish.

Everyone is aware of the massive increase in photographers available and offering you their skills. This is both good and bad.  Good because it has removed much of the elitist attitudes and competition is always good.  Bad because most clients know little or nothing about the industry and how it should operate to be able to make an informed choice.

The papers are always telling stories of a bride and groom duped into giving away their hard earned money and being heart broken when the resulting images are not at all what they expected.

So how can I help?

I am going to give prospective clients 5 tips to reduce the risk.

1.  Do your research.  Visit the photographers website (no website should set alarms going), check their galleries.  Is their work of a quality you would be happy with?  Are the images of a similar style?  Are they creative images?  Visit their Blog (most have them now), do their blog entries match their website in quality and style?  Look for endorsements but don’t trust them out of hand, anyone can write a few words.  Be more trusting of personal recommendations although this is not always possible.

2.  Speak to the photographer and meet them before any booking.  Check the quality of their work on their walls, again, does it match the website for quality and style?  Ask to see any other imagery that they have done that is not on their website or blog.  Always ask to see a complete wedding if that is what you want to hire your photographer for.  That could be either a digital display or a copy of the wedding album.  Be cautious if they refuse, why would they?  

3.  Make sure the photographer has insurance.  This should mean that you are protected to some degree.  If your wedding photographs are ruined then this insurance will cover for this.

4.  Get an contract.  This should be an agreement like an email identifying what you should expect may suffice in many cases.  I have had instances as a photographer where a client has said to me ‘but I thought I was going to get A, B and C’, the contract is there to protect the photographer as well as the client.  Make sure you read and understand what is written.

5.  Be cautious with up front payments.  Most photographers will charge you some kind of sitting fee, this is to be expected.  Make sure you know what you are getting for that.   You should however expect to pay up front for a wedding (this is standard practice) so seeing as much evidence of the photographers work as possible is a must. 

These simple suggestions will not remove the risk completely, but may minimise it.  Photography is subjective and in any dispute, if the images are well composed and exposed correctly, you might find any judgement does not go in your favour.  Make sure you actually like the work you have been shown.

A photographers web site should only contain images that they have taken themselves or within a larger company, although there have been instances where photographers put stock imagery on their page, so their website has professional imagery.

These points are not an exhaustive list but a mere five suggestions that will help minimise your risk.

Lighting in the studio is simply never ending, there are so many possibilities.  Different intensity, direction, modifiers, sources and on and on.  The opportunity to play with the D800 for the first time in the studio was a big motivator too.

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I enjoy working in the studio for its control-ability. The only way to learn is to practice and play with the light.  Some of the things you can do with light is simply amazing.

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Most of my lighting set-ups are either one or two lights and getting the simple lighting to work is the most difficult.  As you begin to understand how the light will work, you learn to manipulate it the way you want to.

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So with a couple of hours, a willing model and having some ideas before hand, you can come out with some decent results.  Now how can I get it better?

Just a quick one today.  As I wait once again for the computer to keep up with me, it is an ideal opportunity to post some images from a recent Skiing competition I was covering.

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These images are only a few, please enjoy, some of them highlight the great humour of the British soldier….

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Others are those type of skiing shots you may be used to seeing.

This week I had been asked to put a few words together for a biography on our work Facebook page.  Actually not the easiest thing I have done if I am honest!  Harder still was the effort (and time) required to go through my back archive to find some images to include.  With ten years as a working professional, you inevitably gather a fair collection and even when you concede that half of that time was working with the more secret aspect of the military (and therefore have no imagery to show for it), I was surprised just how difficult this was.

Training the Iraqi border force

 

This was one of those situations that is surreal, I captured this shot before understanding what had happened.  At the time there had been a couple of shootings by Iraqi troops and this was taken on a training day.  This guy was keen to point his AK-47 at me for the photo and there is a magazine fitted, I never knew if he had live or blank ammunition in it.  I was lucky I guess.

I think at times it is good to look behind you, to see and consider what you have done in the past because the reality is the past is what has shaped who you are today.  I am a believer in the acceptance we are really only the sum of our experiences, they shape us, they mold our character and personality.

Mecca pilgrimage through Basrah International Airport

 

One of the things we like to try and do is get the story in one picture.  This was the Hajj pilgrimage, and the first time since the conflict that Basrah international airport had been open for the pilgrims.

As I have stated before, Buddhists believe that life is suffering, and we all endure hardships in life, some more than others granted but it is there.  The real test is how we come to deal with these tests, and in this case I mean the emotional response rather than the physical one.  How we look at a situation will inevitably affect how we deal with it, but any response will also involve a measured adjustment too.  What I mean by this can be illustrated by nature.  Two male lions fight to take control.  A fight ensues that could easily mean the death of one of them.  Both probably begin the fight with the same kind of emotional response and aggression, however pretty soon one will realise they are probably going to lose.  How do they respond?  Well they have a choice.  They can continue or flee, if they continue they could get lucky (if they are thinking rationally) and if they flee they may survive.  Is either response wrong?  Probably not but they are worlds apart.  You could even consider that the weaker one may have entered the fight without really expecting to win but understanding that to fight is expected.

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Sometimes it is simply about an aesthetic, during a military music show, this one soldier was lit by a spotlight as he shouted his commands, I just liked the shot for its controlled lighting, 

 

 

Comic relief hits the parade square

 

Life in the military has a reputation of being tough and much of the time it is, however humour is also so important.  The bi-annual ‘Red nose day” provides opportunity.

The longer you consider the situation you can start to see different motivations or responses.  These days as human beings we are not exposed to these kind of choices, but the reality remains.

Training the Iraqi border force

It’s all about the lighting and finding a way to tell a story.  This shot, taken at sunset is a simple story of water being dropped in the middle of a desert for an operation.  A tiny bit of flash was needed to bring out the boxes of water, otherwise they would just have been silhouettes.

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There are times when you are just in the right place at the right time.  This shot was taken as the sun set on New Years Eve 2007.  The Lynx was coming in to land fast and I had the time to capture this shot.

Anyway I kind of digressed there.  To have the opportunity to look at my past work was good and bad.  I remembered some of the experiences and cringed at some of the images.  Any creative process is simply that, a process.  I see images today vastly differently to what I did ten years ago.  But I do that because of the experiences I have been through.  My experiences are my own and each of us have had completely different ones.  I feel now that the past has improved me and I only hope that it continues to for many years to come because this is the future and it excites me that the best is yet to come…

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This is one of those shots that is technically dull but it is the details in observation that make it work.

Foot patrols around Basrah feel the heat.

 

This shot was taken on a routine patrol outside Basrah, looking for rocket rails.  This shot was just a part of a selection used for a bio slideshow of trooper Whittfield that can be seen here; http://vimeo.com/26632974 This shot did also end up used by the Guardian to illustrate a story they did on budgets in the MOD.  You can never control the use of your images I suppose.

Bring on that warm fuzzy feeling.

Basrah City stronghold, a center of operations.

I loved this shot for what it stood for rather than the breathtaking quality (ha ha), this was a common sentiment from the Iraqi troops, they were generally proud of their involvements.

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This shot does need some explaining.  This is a drill (not real), the injured soldier is made up to give soldiers the realistic chance of dealing with an horrific injury, one they may expect to come to deal with.  All I really remember now is the sickening smell of the fake blood, it smelled of overpowering make up.

Thank you for listening.

 

So then, why the title?  Having just read it back it seems a bit of a tangent and perhaps it is.  I was actually referring to this blog.  I have been struggling with how to follow my last entry.  What on earth do you follow an article on Belsen?  Then I looked further back.  This blog is personal, that is a fact, I am sharing my experiences and as an Army photographer I can deal with the full range of things.  The horror of Belsen one minute, to soldiers skiing the next.  They are not connected but as I experience them they are all important to me.  I want to approach each situation with professionalism.  I only hope this comes across.

Any photographer will tell you that one of the biggest journeys for them to take is the attempt to do something new, so find their own USP (Unique Selling Point).  More often and not these days it is a certain look done in post production (after the photo has been taken).  An example of this is the Dragan effect (google it).  The thing is with PP is that it is quite easily replicated.  Once someone comes out with a catchy look, its just a matter of time before everyone is doing it.  That USP then becomes dull, it loses its impact.

I have decided to undertake a couple of projects over this Christmas period working at charity events  and a Christmas fayre.

Why?

Well simple, I decided I needed to do two things.  Firstly be seen for what I do (taking portraits) and secondly to capture something that makes people go wow, which is not that easy.  I also wanted to make people go, “I like that, can I book a family shoot or a portrait session from you?”

A standard set up for this kind of event is probably a two light set up, maybe three.  A main light, fill and either a background light or hair light.  The idea being that this set up is versatile as the sweet spot can be organised to be quite large.

Well I decided I didn’t want to do that as although you can get reasonable light it will not suit everyone.  There is not really any set up that will suit everyone, so decisions have to be made.  I chose to use a ‘clam shell’ set up which has the main light as a 1.2m Octobox directly above the subject, and very close.  The fill light is under my feet and I shoot through the gap in between.  The problem is that to get this really amazing soft light the subject is close to the light and the sweet spot is quite small.  I can only fit (carefully) two subjects.

Ultimately here lays the problem.  I do not directly make any money from this shoot which as a business I have to make money to survive.  There will always be people that want a certain shot and it is difficult to almost alienate yourself from anyone, but I have to look at the bigger picture.  I want you to see that I can get some amazing pictures of you guys and in a studio with all my kit at my disposal and a couple of hours to spare, we can come up with same really memorable shots that you will love.

Looking at it that way, its a bit of a no brainer really….  What I particularly love about this is the options that remain in PP, like in any lighting situation I suppose.

My main goal for this tour aside from my primary video role has been to put together a selection of portrait images, in the hope that I could arrange a small exhibition of portraits at a local art fayre.  I will be adding another blog entry near the end of the tour displaying some of my own personal favourites.  In the meantime I wanted to share this one.

An Afghan elder and the pace of life

Whilst working on some footage for an Afghan Air Force open day at Kandahar, I saw this elder, who had arrived early with some young children.  He promptly sat in a hangar doorway waiting with his worry beads.  He was just waiting patiently when I got this picture.  Taken on the trusty old manual 50mm lens (some people are getting bored hearing about), I wanted to concentrate on his face.  The lines are like a text, telling his life story and similar in many ways to so many other locals.  There people have endured so much in their lifetime and their lives are tough by our standards.

Simply processed in Lightroom, it does not need much more.

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