Landscapes. I dabble, I will be honest, I don't spend the time on them that I should. Commercially they are quite hard to make any profit from them, unless you happen to be called Peter Lik (Google him). Worst of all, though, is that as the summer gets closer, the mornings get even earlier.
So every once in a while, when work allows, I will get out there and capture a landscape or two, or just go and look for a possible future image for when the light is better.
I know I should do more, I know I should, but that is where we must try to balance our lives. There are times that I wonder how some photographers manage to make their photography the sole purpose (or certainly give the impression). Life does not seem to be in the way for some.
I contemplate offering framed landscapes to clients who book a particular wedding package, but struggle with this too. Who would want one of my Landscapes on their wall? Lets face it, I don't even have any of my own hanging up.
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Tag Archives: Nikon
Return to Afghanistan and mono memories
I had a scary recollection today. I was speaking with a colleague today who I served with out in Afghanistan and we were both a little surprised to realise that it was two years since we arrived there for a six month tour of duty.
In the time I have been back, apart from the odd quick scan through the images, I have not really given them too much thought.
As we get closer to the end of combat operations I am regularly surprised by the lack of understanding of the job our soldier s are doing out there and in some cases, blatant conspiracy fantasies seem to be circulating. It seems to me that there are people who are happy and willing to exploit ignorance.
I have mixed feelings about my time in Afghanistan. I won’t pretend that I bounced around the green zone of Helmand with a bayonet between my teeth and two GPMG’s, one under each arm killing insurgents without fear. In fact quite the contrary, each and every time we went out on any patrol, I felt fear, the healthy kind, the kind that keeps you alert.
The people of Afghanistan are much like we are in many ways. They eat, sleep, laugh, cry. They have the same basic needs we do but have less to work with and because they do not experience our western ways are mostly happy with their existence. I won’t pretend they don’t want their security, they do as do we.
It always amazes me how we (human beings) struggle to understand different cultures though. Let’s face it there is a north – south divide in the UK and lets not get started on our nearest neighbours, the French! 😉
Anyway, looking back through the Afghan archive, memories came back and they are different from the experiences at the time, for there is no fear now, the memory of that has faded, now I focus on the experience. Much of the emotion has gone. The images bring back shadows and nothing much more. I suppose this is the same as the nerves I felt and I remember feeling on my wedding day, but now when I see the photos, they don’t remind me of that fear, just the day. Natural I suppose.
I enjoyed my time in Afghanistan, I saw things I never thought I would. It made me appreciate more what we have more. It did me some good.
Pushing boundaries and why.
Now I do like working in the studio very much but I don’t really get to spend as much time in there as I would like. When I do work in the studio, it is with mostly family work. I do find it quite difficult in Germany (not speaking the language) to find willing models to give up their time free of charge.
When I am in the studio it does tend to be just me and the subjects, as another difficult contact can be a Make up artist.
Recently I was approached randomly by a Make up artist who had just moved into the area at exactly the same time as a local amateur model had emailed me to work together.
For me the whole point of doing these TFP (time for print) shoots is to try things out, be it lighting or style. The same needs to be said for the model and the MUA. Otherwise the relationship just cannot work.
Anything that questions what we have done before and pushes you as an artist involves boundaries and without doing these shoots you will never progress and move forward. It is easy for an artists work especially for commercial shoots to kind of become stale and dull. You have to take chances and get yourself out of those comfort zones. Usually you are surprised what happens and where it takes you.
Autumnal Landscapes
I don’t really get to take too many landscapes. I feel you really need to be out looking for them constantly and the reality is I will see a potential but the weather is either wrong or it is the wrong time of day. So I make a mental note and go about my business.
I have been eyeing up this location for a while, the leaves are turning and in the evening light these colours will simply pop.
On the way home today, I stopped…… and explored.
There is not much more I can say about that.
The ‘SCURGE’ of photography and a client education
As I write this I have just discovered that another good friend of mine has been ‘ripped off’ by a so called professional photographer. Why am I pissed off? Simple, because every time this happens the effect is felt throughout the whole industry. I have been a professional photographer for over ten years now and I do not know all there is about photography. It has taken years to build a reputation, a style and a direction. There is no short cuts for this,
There have always been con men and women, that is nothing new, but the recent progress in photography has made this a breeding ground for minimum risk chancers. It is easy to set up a website, operate for a few weeks and then vanish.
Everyone is aware of the massive increase in photographers available and offering you their skills. This is both good and bad. Good because it has removed much of the elitist attitudes and competition is always good. Bad because most clients know little or nothing about the industry and how it should operate to be able to make an informed choice.
The papers are always telling stories of a bride and groom duped into giving away their hard earned money and being heart broken when the resulting images are not at all what they expected.
So how can I help?
I am going to give prospective clients 5 tips to reduce the risk.
1. Do your research. Visit the photographers website (no website should set alarms going), check their galleries. Is their work of a quality you would be happy with? Are the images of a similar style? Are they creative images? Visit their Blog (most have them now), do their blog entries match their website in quality and style? Look for endorsements but don’t trust them out of hand, anyone can write a few words. Be more trusting of personal recommendations although this is not always possible.
2. Speak to the photographer and meet them before any booking. Check the quality of their work on their walls, again, does it match the website for quality and style? Ask to see any other imagery that they have done that is not on their website or blog. Always ask to see a complete wedding if that is what you want to hire your photographer for. That could be either a digital display or a copy of the wedding album. Be cautious if they refuse, why would they?
3. Make sure the photographer has insurance. This should mean that you are protected to some degree. If your wedding photographs are ruined then this insurance will cover for this.
4. Get an contract. This should be an agreement like an email identifying what you should expect may suffice in many cases. I have had instances as a photographer where a client has said to me ‘but I thought I was going to get A, B and C’, the contract is there to protect the photographer as well as the client. Make sure you read and understand what is written.
5. Be cautious with up front payments. Most photographers will charge you some kind of sitting fee, this is to be expected. Make sure you know what you are getting for that. You should however expect to pay up front for a wedding (this is standard practice) so seeing as much evidence of the photographers work as possible is a must.
These simple suggestions will not remove the risk completely, but may minimise it. Photography is subjective and in any dispute, if the images are well composed and exposed correctly, you might find any judgement does not go in your favour. Make sure you actually like the work you have been shown.
A photographers web site should only contain images that they have taken themselves or within a larger company, although there have been instances where photographers put stock imagery on their page, so their website has professional imagery.
These points are not an exhaustive list but a mere five suggestions that will help minimise your risk.
It’s not real, is it?
Charging through the forests of Germany, being thrown about the back of one armoured vehicle or another, it would seem that there is not a flat driving surface anywhere here. This exercise seems to be calm anticipation with periodic madness, blink and you will miss it. No pressure…
This is a joint exercise with British and German units training along side each other. It is armoured, so there are Tanks and AFV’s (Armoured Fighting Vehicles) rolling all over the place. The safety staff are beginning to HATE me, as I dart around from one shot to the next, so what? If I get run over, I probably won’t even feel it… As a photographer it comes with the territory to have a good all round awareness. Gone are those early days when all I did was look through the viewfinder, now I feel like my photography is more about instinct and premonition. I am sure that is not entirely true but hey!
I have covered these type of exercises before and come away with very little as the action is not really easy to pinpoint. You can spend your day around a group of soldiers who may not actually be involved in much. Reality…
Photographically at least, this one worked perfectly, we ran around like seemingly headless chickens, knowing the kind of things we wanted to capture but not confident that they would present themselves. It is an instant that is at times one of the more frustrating parts of the job but also gives you some excitement. Will I or won’t I?
The great thing about these kind of days is they tend to be as much training for you as the others. Trying to interview (getting a few words) young guys who are as alert as they can be on their surroundings.
Yes it is fair to say that days like this make me happy as I search for the images.
I hope you like them…
Best laid plans and chomping on a bit or reality
With a blog comes great responsibility…….or does it?
I look here today and realise that it has been almost two weeks since my last post. Me bad! Wait though, there is a reason for it. I have been really busy trying to rush those last bits of work before I go on a break with my family on Friday. I know, I hate hearing myself say it. Busy just seems like a lame reason.
So what have I been doing? Well the fact of the matter is babies, or new born’s. A particular genre that really is a skill and there is no substitute for experience. Well photographically I have committed a cardinal sin, in my eyes out of necessity. These shots have to be done in a very small window of opportunity at a time when a new family scrambles to get used to the tremendous upheaval. So the plan was to offer a few (small number) new families the chance to get some portraits of their new baby at absolutely no charge. There will be photographers now swooning at this as the something for nothing situation is what has got this industry into it’s condition.
In my defence, I had not shot babies this young before, my studio was not equipped for it and I really was not sure what to expect. All facts that I ensured the parents were made aware of before hand. You can’t exactly tell a ten day old baby what to do can you?
A chance to play with new ideas, new colours, new styles was amazing, a recent trip to the UK meant I could pick up some simple supplies like wooden flooring and some really amazing blankets.
The end results? Well after all they are subjective and I fully understand that not everyone will like them but the response from the parents has been amazing. I have another string to my bow and I do feel that my photography has made a step too.
Exposure
I am sure I have mentioned before how time is our worst enemy, although as a photographer it is one of the most important factors we work with.
Creativity never comes with guarantees, but you have to keep trying and keep your options open
Time threw another curve ball yesterday with a gentle reminder of how quickly time had gone by.
You find shots you like but it is always great when a client sees your vision.
Being a photographer is a strange existence at times. Very few of us lead repetitive lives, you can’t take the same photographs day in day out, so you are always meeting with new people and looking for the next shot. Let’s be honest though how many of us re-create the wheel at all in their lives let along every day?
Some moments are longer than others and that is never more obvious than with photography.
With the general understanding of the term ‘professional’ (which actually has nothing to do with making money) skewed, my goal or ambition is to be as professional as I can be. Not always easy when we juggle so many different balls. But it is out there, my goal.
One thing that experience gives you is a grounding for capturing an image or at least working out the mechanics of capturing an image under most circumstances.
One of the key motivators for me is the learning process, I love to try out new things, new [for me] ideas, more opportunities to attract fresh clients. The best way to do this I have found is to keep up with what people want. There is still usually enough room for your individual flair though.
No photographer likes to sit still, there are always more challenges ahead. A new market place to enter, more clients to please.
One of the more important things to keep in mind also though is that not everything goes to plan but this should not worry you, but just keep you on your toes.
The technical aspects of a shot are not always clear to see, but this does not mean the shot was simple to capture.
These images on today’s blog include some military work and some personal work but shows some of the variety we are faced with on even a weekly basis.
Pushing yourself and putting yourself on the spot.
Yesterday we had a sporting event here in Germany. Chances are few people heard about it, there was not too much advertising certainly outside of the field.
Every year there is an athletics competition, in the town stadium in Herford, near Bielefeld. The only people that probably get to know about it are those units that are invited to field a team. Many of the athletes are probably selected little more than a couple of days before it happens and in some cases, the athletes are actively taking part in their [chosen] event for the first time on the day.
As awful as that sounds, the reality is that for many of these competitors (although not all), their level of experience is largely irrelevant. The truth is that competitions like these are not really about the level of skill or the ability of the competitors. These contests are in plain terms military competitions rather than athletic.
They are about guts, determination, team work, effort and overcoming yourself. So the opportunity came up to photograph the event, not because we were tasked to but because we could. In the absence of a formal request I decided it would be a fantastic opportunity to use this as a training day. Try some new things free from the usual expectation that can lead you to the safest route.
Photography is subjective as I have said before, and this is not an excuse to show the crap and try to market it as art. I invited the other two photographers from over here to join me with a brief to submit only five images from the day. Their choice, but they should mean something to them.
Now five images is not a lot but it can be plenty. Once I had been through all the images choosing the final images was not all that easy. The ones I chose would probably not be the choices of others but that is the point. This day was about observation and thought.
My final choices are those in Sepia as when it came down to it I felt I wanted to unify them in some way. There is one colour image though. An image I liked for its use of focus but when converted to sepia, it lost some of its elements. It stays here though because it’s my blog and I can do what I want.
The truth of the matter is that when you push yourself, photography is never easy, after concentrating so long and hard, I went hope tired that day……..but content.
Revisiting the past and the affirmation of your choices
We make potentially life changing decisions on a regular basis, we react to our surroundings our experiences and try to make the best choices we can.
When I joined the British Army all that time ago, I joined as the Royal Military Police (there goes half my readers), I had an amazing introduction to Army life and the life has changed me so much in a positive way I no longer remember the shy timid person I was. Anyone still with me?
I am now a photographer with the Royal Logistic Corps (there goes the other half), and the job I do has an essential need for this confidence. I don’t think I am an overbearing person, well not until a couple too many sociables… er hello?
I look back on my RMP days with pride, I still have many friends in their ranks, although ever being replaced with young people who are obviously too young to even be in the Army. I have nothing but great memories even patrolling in the Arctic circle in -40. It is fair to say I even miss it from time to time. It’s all gone very quiet in here.
Do I have any regrets? Well the really honest answer is no, why would I. I can put my hand on my heart now and tell you I quite possibly have the best job in the Army, in fact if Heineken……..
As you can see from these images I covered a recent parade in Germany as part of the withdrawal from Germany. A sad day because after such a long time, ties with the local community are inevitable and once we depart they will need to much more work to try and keep them alive.
Now I do try to keep in contact with quite a few of my old mates, so this does mean I have on occasion socialised with RMP, although I am now talking to myself now. I accept I miss being with a bunch of guys that do a great job and yet receive little recognition (nor do they crave it). That said, I now have new skills that enable me to show them off a little now, although not often. I enjoy working with them and I hope I do them justice.
I guess all I am trying to say is this. Life is too short to have regrets, look back and smile, look forward and focus on whatever you see ahead. Oh and don’t live in fear of the unknown.
Seeing opportunity and getting of your fat @rse!
How many of us drive around, see something interesting and stop to take a photograph?
In these days of being so busy, it is not always that easy, is it?
I carry my camera around with me most of the time, and after a recent visit to a Peter Lik gallery, I have been invigorated by the landscape around me.
The reality is that we are mostly rushing around towards the next deadline that is simply to close. What is the answer? Leave plenty of time to allow for opportunity or change your mind set so that time is really not all that important.
Now the German landscape in my immediate vicinity is not the most dramatic and certainly not the kind that Peter Lik visits for his landscapes (sounds like excuses I know and perhaps they are).
The reality is that to do landscapes justice, you have to dedicate time and effort, more than most people (myself included perhaps) are willing or simply able to give. It is sad and a little depressing to admit but like most photographers time is our enemy and quite profound as it is one of the primary parameters we work with on a daily basis. We are always either fighting it or trying our best to manipulate it.
Now I am by no means a landscape guru by any stretch of the imagination but sometimes it is fun to get out on your own with a camera and a 4 x 4 and simply look for the opportunities. There is a convention that says decent landscapes should be taken at sunrise or sunset and really most of the time these are the best times as you can get some amazing light but quite often these times can give you a pretty cliche’d image. That is not to say a bad image, but for me they can lose impact if you feel you have seen them before.
We get so bombarded with imagery these days as there are so many cameras clicking away all the time, there ends up being some fantastic stuff out there but sadly often they are hidden among the mundane. A quick look on flickr searching for landscapes and you will see what I mean.
Germany is a stunning country in so many ways and I plan to try to capture more of this, I will of course share with you too.
There are some more examples of my Landscape work on our website http://www.LIMEfotographic.com Please feel free to visit.
Another homecoming parade, how many left?
This week saw me attending another Homecoming and medal parade here in Germany. I have lost track of how many of these I have covered over the years. They are always great opportunities to capture some great images although this time for some reason, it got me thinking.
With the imminent return home of British troops from Afghanistan in 2014, these may well be a thing of the past for a little while. Of course this is great news when you consider how many soldiers we have lost during the conflict, but I can’t help feel a tinge of sadness.
These parades are always great events supported by the soldiers and their families. They are a show, a celebration, in many cases an opportunity to reflect and for some a way of closure. But more than that these signify the end of a job well done.
The British Armed forces are there to do these jobs, love them or hate them, these roles seem to come up all too often, usually when you least expect them. These parades are significant as they mean the members of the Armed Forces have been doing a job they have trained hard for.
I do not mean to be disrespectful as the conflict in Afghanistan goes on and there will in all likelihood be more injured or even killed, so we cannot afford to look at the end with too much comfort.
One thing I am glad of is how this operation seems to have brought the Armed Forces closer together. In the past the fierce rivalry used to alienate certain cap badges or trades, but such is the nature of this conflict that every job out there has risk and danger, it is not just the infantry who are risking their lives on the front. I think this conflict has shown the strengths of our armed forces as a whole and that should be commended.
The opinions stated here are simply the opinions of the author and do not in any way necessarily reflect the stance of the Ministry of Defence.
Teaser in the snow
A change of perspective and the cold light of day.
At times the life of a photographer can send you to some stunning locations. I recently found myself working (yes, you heard me, working) in the French Alps to cover a skiing competition.
So rather than show you images of skiers, I thought I would share something else.
I don’t really do many landscapes, although I enjoy them, I find them frustrating most of the time because I am either there in the wrong time or I am simply unable to stop and take the photo. Comes with rushing around doing other things I suppose.
Not typical landscapes and not the same as I have done in the past (I do have some examples on my website http://www.LIMEfotographic.com). This time I was interested in the fast flowing water, the fresh snow and ice sitting on the rocks and the at times abstract nature.
Specifically looking for long exposures, a good tripod was a must and the help of a local (well kind of a local, an American, or Texan, if he had his way), we went exploring a small stream looking for interesting shots.
I have experimented with some different post production ideas and was inspired to be bold by this same ‘local’ who showed me some of his own work.
Like always, like it or loathe it, the work should speak for itself. You decide.
Getting known and trying to break the norm.
Any photographer will tell you that one of the biggest journeys for them to take is the attempt to do something new, so find their own USP (Unique Selling Point). More often and not these days it is a certain look done in post production (after the photo has been taken). An example of this is the Dragan effect (google it). The thing is with PP is that it is quite easily replicated. Once someone comes out with a catchy look, its just a matter of time before everyone is doing it. That USP then becomes dull, it loses its impact.
I have decided to undertake a couple of projects over this Christmas period working at charity events and a Christmas fayre.
Why?
Well simple, I decided I needed to do two things. Firstly be seen for what I do (taking portraits) and secondly to capture something that makes people go wow, which is not that easy. I also wanted to make people go, “I like that, can I book a family shoot or a portrait session from you?”
A standard set up for this kind of event is probably a two light set up, maybe three. A main light, fill and either a background light or hair light. The idea being that this set up is versatile as the sweet spot can be organised to be quite large.
Well I decided I didn’t want to do that as although you can get reasonable light it will not suit everyone. There is not really any set up that will suit everyone, so decisions have to be made. I chose to use a ‘clam shell’ set up which has the main light as a 1.2m Octobox directly above the subject, and very close. The fill light is under my feet and I shoot through the gap in between. The problem is that to get this really amazing soft light the subject is close to the light and the sweet spot is quite small. I can only fit (carefully) two subjects.
Ultimately here lays the problem. I do not directly make any money from this shoot which as a business I have to make money to survive. There will always be people that want a certain shot and it is difficult to almost alienate yourself from anyone, but I have to look at the bigger picture. I want you to see that I can get some amazing pictures of you guys and in a studio with all my kit at my disposal and a couple of hours to spare, we can come up with same really memorable shots that you will love.
Looking at it that way, its a bit of a no brainer really…. What I particularly love about this is the options that remain in PP, like in any lighting situation I suppose.
In the thick of it and always experimenting
As a photographer one of the best parts of the job is the sheer volume of options. I love the fact that I can always learn new techniques, be it composition, lighting, style or… well the options some times feel pretty limitless. #
The only limit to a photographer is their imagination.
I love playing with lighting, the studio is a great place when things are going well and the most frustrating place when they are not.
Lighting is, in essence quite simple, even the most complex of lighting set ups should look simple, but simple is great to look at and natural.
After setting up a stand at a recent charity fashion show, I thought it would make a great opportunity to try a simple clamshell setup. I have to say I have never used this one before and I really have no idea why. It is an amazing light and with post pro can suit men, women and children.
For this one I had a 1.2m Octabox as the key light, with a simple shoot through brolly as the fill from the floor. The lights were no more than 1m from the subject so I used a wide lens for most of them.
Another set up in the bank.
Building books and the tangible truth
If there is one aspect of digital photography and the internet that I don’t like it is simply the lack of necessity to print your images.
There is nothing quite like a decent print, and trust me it is never simply a case of hitting the print button. So in the last six months or so I have been responsible for producing 4 photographic books, and all I can say is wow. Although the books have been limited run or one offs, the sense of achievement you get after all the work of putting them together and handling it is second to none.
I now have the printed book bug.
A reflective image is so different from a back lit image, that seeing your images feels like seeing it again for the first time.
There are some amazing companies out there that can produce these books and some of the software you can use to complete the books are very straight forward. All I would say is don’t feel the need to over complicate the layout.
Photo books should ideally, in my humble opinion, be about an image at a time, although that is not always possible. There is certainly a skill in putting a book together and I feel myself getting better each time. There is a lot of work, in particular when you are trying to include other contributors.
Another important effort is to do your best to create a narrative, to make the images inter connect and flow from one to the other and at times, even if you have a cracking image that misses the narrative, do not shoehorn it into the book just out of hand. If you need to add another section to the book to fit it in, then try but be your own worst critic.
The end result is worth it though.
Finding the time, a photographers lot
Well many of you may be aware the last few weeks have been a blur, but a happy one. Now I am starting to move on and as a photographer, there is always a difficulty balancing the work with real life. Any working photographer lives and breathes photography, and I find it gets worse the longer I go on. Understanding light is probably the hardest thing with photography and it takes time. There are no shortcuts here and learning to identify and use light is something every photographer constantly works with.
As I understand light more and more, I see opportunity and inspiration. I suppose it feels a little bit like staring at the screen on ‘The Matrix’, you just start to see photographs everywhere. That said seeing images and capturing images are two completely different things though the more I see light and its subtleties I base it on images I have taken.
Now I like working in the studio with controlled light. There is a sense that anything is possible, if you can just control it as you need. I really love photographing people but the most difficult part is ‘the people’, getting them to do what you want, no, need them to do. A sitter does not have any idea what is going on in my head (probably a good thing), and I am working towards an end product that nestles in the outer reaches of my muddled head.
There is no substitute for working with people, it really is the only way you get to know the craft of lighting. I can play with new ideas on an inanimate object but translating that to people is something that can only be done with people……
….and no two people are the same.
So there we have it, this post is no more than a plug, I need you to improve and you need me to take your portrait, so there you go, no excuses any more…
And here is to the weekend, all good in moderation.
Award winning, does it really make a difference?
I write this blog in somewhat of a state of shock. I have just been told that I need to get myself over to London next week to pick up a couple of prizes from the Army photographic awards.
This image was taken at 0500 using available red light on a high ISO and shows us packed like sardines into the back of a Chinook about to go on an operation.
This year was only the second time I have entered in ten years for one thing or another, and after being runner up last time, the improvement was great.
This macro shot was taken with a macro lens and was supposed to be an observation of religious prominence within the military and more so with the Americans. What is does not show however is the levels of religious diversity that we have now.
If I am totally honest, I didn’t really hold out much hope as much of the last 12 months was doing video, and if I am even more honest, not to a great standard.
Military equipment – this was one of my favorite portraits from Afghanistan, it shows an attitude and toughness that belies the old equipment they operate with.
So back to the competition. I am obviously very pleased for the recognition, but I really don’t think it means all that much at the end of the day but what we can do to raise the profile of our small group of individuals who work hard to show our colleagues at their best. This is not down to me being disrespectful to the other entrants in this particular competition, just the fact that winning competitions may be a skill but also requires a lot of luck. After all three judges look at the images subjectively and pick their favorite and on another day with different judges, the results would, I am sure, probably be very different.
This military portrait taken in the studio is intended to show a diversity within the whole port folio. It is a standard portrait with a little twist.
I had no idea who was judging this competition, not that knowing that would have made any difference. The simple fact is that photography is purely subjective and what one person loves another simply can’t stand… the Marmite thing I suppose.
In the absence of a perfect boxing or skiiing shot (not much of either in Afghanistan), I wanted to demonstrate a little bit of the British soldiers sense of humour… unfortunately there was no lake in sight.
So what did I win? Well rather surprisingly, the Professional port folio award and the best Professional image. Wow, now I am speechless.
From the harshness of Afghanistan to the grandeur of Hannover town hall for the Queens birthday celebrations, a city that has close ties to the royal family.
The port folio was a simple case of choosing eight images, each one fulfilling a single criteria. Operational image, Sport, Macro, Black and white, portrait, military equipment, Interior and Public relations image. So the portfolio was always going to be a mismatch off images rather than a coherent collection of images to support a narrative.
Which ever way you look at it, there will be controversy and disagreement, as everyone will see different things from the images submitted. So there we have it for another year, I only hope that we as a photographic trade can make the most of this and promote ourselves as the self motivated, professional individuals we are.
The image selected by the judges as the winning image, taken just before the officer at the front of the picture screamed at me for not being where I should be.

























































































































