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For those of you that have been following this blog for some time, you may remember that a little over a year ago, I returned from a tour of Afghanistan.  An interesting time and an opportunity to capture some amazing pictures.  Well they mean a lot to me.

MRN-2012-007-0049-Edit

On my return an artist saw one of the portraits I had made and asked if they could interpret it with pastels.  This morning I got an email with the end result.  I just wanted to share it as I think a lot of the character has been captured here.  It is perhaps a little unfair to see both media side by side but I wanted to show that it is not a direct copy, there is definitely an artists interpretation which I think is so important.

Afghan Man small

Let me know what you think.

The Artist is my Dad and he only began doing this after he retired.

At times the life of a photographer can send you to some stunning locations.  I recently found myself working (yes, you heard me, working) in the French Alps to cover a skiing competition.

Cool water 04

So rather than show you images of skiers, I thought I would share something else.

Cool water 06

I don’t really do many landscapes, although I enjoy them, I find them frustrating most of the time because I am either there in the wrong time or I am simply unable to stop and take the photo.  Comes with rushing around doing other things I suppose.

Cool water 01

Not typical landscapes and not the same as I have done in the past (I do have some examples on my website http://www.LIMEfotographic.com).  This time I was interested in the fast flowing water, the fresh snow and ice sitting on the rocks and the at times abstract nature.

Cool water 08

Specifically looking for long exposures, a good tripod was a must and the help of a local (well kind of a local, an American, or Texan, if he had his way), we went exploring a small stream looking for interesting shots.

Cool water 07

I have experimented with some different post production ideas and was inspired to be bold by this same ‘local’ who showed me some of his own work.

Mont Blanc Panorama

Like always, like it or loathe it, the work should speak for itself.  You decide.

Snap, snap, snap, this photography lark is easy….. Isn’t it?

Any of you who have read some of my older posts will no doubt at times have noticed that I am a little critical of Photography as a form of art. As a photographer myself this is not meant in a detrimental way, more a quizzical way.

To describe an image as arty usually means it has a below a quality threshold but illustrates an effort to provoke some kind of thought process.

Now I am quite opinionated about art where it seems a skill of verbal diarrhea makes certain arty types go weak at the knees. I am however coming around to certain aspects of art in photography. Why?

Well I do think that far too many photographers are overly critical about their abilities, I know I am far too harsh at times. Does photography come naturally, we’ll for some it does and others it most certainly does not. Because it comes naturally to some does that mean it is any less impressive.

Where there is a problem, I think, is when photographers concentrate on an aesthetic composite over a narrative. After ten years, this is something I only now think I am getting to grips with, although some of that is my acceptance that each year that passes, my photography changes, the focus, my understanding of what I want to capture and how, seems to change constantly.

So what does this mean?

Well it means that as a photographer I am always adapting, moving, processing, getting better? Well, that will always be a matter of opinion. One thing I do know is that the more experienced I get, the clearer I see a photographic opportunity, the more I am able to preempt a situation and try to posting myself accordingly to get as many of the relevant elements I can into the frame.

The ultimate mission is to capture everything relevant to the narrative in a single shot. Not an easy thing to do, but always an objective.

You always want a picture editor to choose your image to support the article, and more often than not, one image is key (although with the Internet, there is an unlimited space). In print, one photograph is best, although not always possible.

So, as a conclusion, the images I take now are not simply a case of the fraction of a second it actually takes to capture the scene, but it becomes a culmination of a whole pile of ingredients. Like a chef, two people can make the same dish with the same ingredients and come up with completely different end products. This is the same with photography, two photographers at the same event with full freedom of movement will still come away with different images. The images I take now have taken far in excess of ten years to produce, which brings me to my final point, and one that for some time I never really understood. When I say I made a photograph, I now know I mean it. I construct an image from the surroundings, my position, my composition, my use of the photographic elements of shutter speed, aperture, ISO, the use of the lighting, or adding my own light. A photograph can really be so much more than just a snap, a brief moment captured as a still.