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How many of us drive around, see something interesting and stop to take a photograph?

In these days of being so busy, it is not always that easy, is it?

I carry my camera around with me most of the time, and after a recent visit to a Peter Lik gallery, I have been invigorated by the landscape around me.

The reality is that we are mostly rushing around towards the next deadline that is simply to close.  What is the answer?  Leave plenty of time to allow for opportunity or change your mind set so that time is really not all that important.

Now the German landscape in my immediate vicinity is not the most dramatic and certainly not the kind that Peter Lik visits for his landscapes (sounds like excuses I know and perhaps they are).

The reality is that to do landscapes justice, you have to dedicate time and effort, more than most people (myself included perhaps) are willing or simply able to give.  It is sad and a little depressing to admit but like most photographers time is our enemy and quite profound as it is one of the primary parameters we work with on a daily basis.  We are always either fighting it or trying our best to manipulate it.

Now I am by no means a landscape guru by any stretch of the imagination but sometimes it is fun to get out on your own with a camera and a 4 x 4 and simply look for the opportunities.  There is a convention that says decent landscapes should be taken at sunrise or sunset and really most of the time these are the best times as you can get some amazing light but quite often these times can give you a pretty cliche’d image.  That is not to say a bad image, but for me they can lose impact if you feel you have seen them before.

We get so bombarded with imagery these days as there are so many cameras clicking away all the time, there ends up being some fantastic stuff out there but sadly often they are hidden among the mundane.  A quick look on flickr searching for landscapes and you will see what I mean.

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Germany is a stunning country in so many ways and I plan to try to capture more of this, I will of course share with you too.

There are some more examples of my Landscape work on our website http://www.LIMEfotographic.com Please feel free to visit.

Snap, snap, snap, this photography lark is easy….. Isn’t it?

Any of you who have read some of my older posts will no doubt at times have noticed that I am a little critical of Photography as a form of art. As a photographer myself this is not meant in a detrimental way, more a quizzical way.

To describe an image as arty usually means it has a below a quality threshold but illustrates an effort to provoke some kind of thought process.

Now I am quite opinionated about art where it seems a skill of verbal diarrhea makes certain arty types go weak at the knees. I am however coming around to certain aspects of art in photography. Why?

Well I do think that far too many photographers are overly critical about their abilities, I know I am far too harsh at times. Does photography come naturally, we’ll for some it does and others it most certainly does not. Because it comes naturally to some does that mean it is any less impressive.

Where there is a problem, I think, is when photographers concentrate on an aesthetic composite over a narrative. After ten years, this is something I only now think I am getting to grips with, although some of that is my acceptance that each year that passes, my photography changes, the focus, my understanding of what I want to capture and how, seems to change constantly.

So what does this mean?

Well it means that as a photographer I am always adapting, moving, processing, getting better? Well, that will always be a matter of opinion. One thing I do know is that the more experienced I get, the clearer I see a photographic opportunity, the more I am able to preempt a situation and try to posting myself accordingly to get as many of the relevant elements I can into the frame.

The ultimate mission is to capture everything relevant to the narrative in a single shot. Not an easy thing to do, but always an objective.

You always want a picture editor to choose your image to support the article, and more often than not, one image is key (although with the Internet, there is an unlimited space). In print, one photograph is best, although not always possible.

So, as a conclusion, the images I take now are not simply a case of the fraction of a second it actually takes to capture the scene, but it becomes a culmination of a whole pile of ingredients. Like a chef, two people can make the same dish with the same ingredients and come up with completely different end products. This is the same with photography, two photographers at the same event with full freedom of movement will still come away with different images. The images I take now have taken far in excess of ten years to produce, which brings me to my final point, and one that for some time I never really understood. When I say I made a photograph, I now know I mean it. I construct an image from the surroundings, my position, my composition, my use of the photographic elements of shutter speed, aperture, ISO, the use of the lighting, or adding my own light. A photograph can really be so much more than just a snap, a brief moment captured as a still.